by Ilan Stavans ‧ RELEASE DATE: Sept. 27, 1995
A deeply considered essay on the Chicano movement's worldly Aquinas. Best known through his thinly disguised appearance as Hunter S. Thompson's drug-gobbling Samoan attorney in Fear and Loathing in Las Vegas (1972), the Mexican-American lawyer and political activist Oscar Acosta receives a faithful, and appropriately irreverent, biographical rendering in the hands of Mexican intellectual Stavans (The Hispanic Condition, 1995, etc.). Although the outlines of Acosta's story are well known, Stavans has secured access to a number of hitherto unknown sources, notably a trove of letters, journals, and literary manuscripts held by Acosta's son. These give further testimony to Acosta's abilities as an authorwhich fans of his books The Revolt of the Cockroach People and Autobiography of a Brown Buffalo already recognizedand shed new light on his profound difficulty in coming to grips with being a dark-skinned Indian in a world he suspected dealt good hands only to white players. While tracing the contours of his life, Stavans reiterates Acosta's assertion that it was he, and not Thompson, who invented the term ``Gonzo journalism,'' and he provides good evidence to suggest that Acosta should have been credited with coauthorship of Fear and Loathing, the book that cinched Thompson's fame. Acosta disappeared, Ambrose Biercelike, in Mexico in 1974. He would be 61 today, and it would be a fine thing to see the wily Acostawhom Stavans headily deems an outlaw amalgam of Robin Hood, Joaqu°n Murrieta, Gregorio Cortez, Agust°n Sandino, Subcomandante Marcos, and Che Guevarareemerge at an autograph party in celebration of this worthy appreciation. A fine, learned homage to ``the king of rascuachismo, el rey of low taste,'' a man who contained worlds, but never comfortably.
Pub Date: Sept. 27, 1995
ISBN: 0-06-438557-4
Page Count: 144
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1995
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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