Excellent. Longtime students of García Márquez will find fresh insights, and Stavans provides an excellent introduction for...
Illuminating study of the first writings of Colombian literary giant best known for One Hundred Years of Solitude (1967).
Appearing just months after Gerald Martin’s masterful biography Gabriel García Márquez, Stavans’s latest complements it with insightful readings of García Márquez’s work. The author begins with Hundred Years, a sprawling novel published in García Márquez’s 40th year, and, we learn here, written in a white-hot fury holed up in a Mexico City apartment. Stavans (Latin American and Latino Culture/Amherst Coll.; Resurrecting Hebrew, 2008, etc.) observes that the novel is “about memory and forgetfulness, about the trials and tribulations of capitalism in a colonial society, about European explorers in the New World, about the clash of science and faith, about matriarchy as an institution, about loyalty, treason, and vengeance in the political arena”—about, that is to say, just about everything, and with an endless jungle thrown in for a setting. Stavans writes literate literary criticism, but without academic archness and even with playfulness (he asks, for instance, “Quick: how many Aurelianos are there?”). His disquisitions pass academic muster nonetheless, well supported by a thorough reading of the relevant secondary literature as well as García Márquez’s own books. He makes an especially useful connection between Hundred Years and Don Quixote, each a microcosm of the Spanish-speaking world at the time of its creation—but also, he notes, a book that García Márquez resisted fiercely until reading it in visits to the lavatory. Stavans also notes the absence of a birth certificate and the author’s mythmaking about his early life.
Excellent. Longtime students of García Márquez will find fresh insights, and Stavans provides an excellent introduction for those readers new to the master’s work.Pub Date: Jan. 5, 2010
ISBN: 978-0-312-24033-2
Page Count: 256
Publisher: Palgrave Macmillan
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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