A gem for readers interested in Hebrew and the politics of language.
A personal and intellectual search for the history of modern Hebrew.
Haunted by a cryptic dream, Stavans (Dictionary Days, 2005, etc.) journeyed to Israel to learn everything he could about the revival of vernacular Hebrew in the 19th and 20th centuries. His complicated linguistic background as a Spanish- and Hebrew-speaking Jewish man in Mexico engendered a passionate curiosity in all things Hebrew, especially a man named Eliezer Ben-Yehuda, the amateur lexicographer who set about in the late 1800s to resuscitate and reinvent the ancient language in the service of solidifying a Jewish political state in Israel. This project met with vehement resistance from Orthodox Jews, many of whom believed, and still believe, that Hebrew, as the language of God and of creation, should be reserved for holy matters only, not brought to street level to be used by anyone who would claim it. The search for Ben-Yehuda’s legacy proved much more complicated than the author had expected. He was not widely celebrated as the resuscitator of modern Hebrew in Israel; only a handful of his neologisms survive; and the scholars and experts interviewed by Stavans expressed, at best, ambivalence toward his life’s work. Instead of Ben-Yehuda's vision of a single, unified Jewish language, Stavans found that spoken Hebrew in Israel is infused with the political and cultural workings of several languages, including Arabic, English, Yiddish and, increasingly, Russian, among others. Throughout the book, Stavans nimbly interweaves popular and scholarly references to Hebrew’s evolution among Israeli citizens, including Palestinians, but he writes for an audience with a working knowledge of the language, pausing only occasionally to translate words and cultural practices for the uninitiated. In cerebral yet clear prose, he imbues the book with his passion for the Semitic languages in all their manifestations. The resulting text is more scholarly than the average memoir and more personal than a purely academic work—an amalgam of the author’s experiences and encounters.
A gem for readers interested in Hebrew and the politics of language.Pub Date: Sept. 30, 2008
ISBN: 978-0-8052-4231-7
Page Count: 256
Publisher: Schocken
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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