A dazzlingly original testament to companionship, curiosity, and faith in ourselves in times of fear and loneliness.
Three gripping narratives entwine as supernatural encounters and personal revelations transform lives in the 1960s and the present.
This transporting novel brings multiple times and places to life through the storytelling of a researcher called the Archivist, whose nongendered pronouns are deployed gracefully. They’re consumed by two troves of records, both beginning in 1961 but radically different in detail and tone. In one, Barney and Betty Hill, rational civil servants in an interracial marriage, are astonished to see a spaceship as they’re driving down a dark highway. The sighting—and the encounter that follows—alters the course of their lives as they become ambivalent public figures amid a rising din of UFO spotters and disbelievers. (The Archivist knows something about alien visitors, too, but is even more reluctant to claim the association.) Through the second set of historical files, the Archivist tracks the life of Phyllis Egerton, a young writer driven from home when her parents discover her romance with her best friend, Rosa. Her new life in Boston is thrilling—Masad paints an electric picture of Phyllis’ double life as a newspaper copy editor and a lesbian finding her people, sartorial style, and science-fiction writing voice—but necessarily clandestine, since this is the very real world of the ‘60s: Public homosexuality is a criminal act. We get Phyllis’ story firsthand through her yearning, then defiant, letters to Rosa. In contrast, the Archivist takes more liberties with Barney and Betty Hill’s story, since their records are less personal. Without apology, the historian fills in the gaps for the reader, telling us both the facts and their elisions or outright inventions. It’s an education—they know the histories of civil and gay rights, and from experience, they “have always felt drawn to those who are ridiculed, misunderstood, shamed.” Miraculously, Masad makes this dense braid of stories easy to follow, elegantly blending serpentine sentences, endearing and intimately observed characters, natural dialogue, and playful, generous asides to keep the reader in enthralled suspense.
A dazzlingly original testament to companionship, curiosity, and faith in ourselves in times of fear and loneliness.Pub Date: Sept. 23, 2025
ISBN: 9781639737000
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: June 5, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A masterpiece.
Two young Indian writers discover their conjoined destinies by leaving home, coming back, connecting, disconnecting, and swimming in the ocean at Goa.
Sonia’s grandfather, the lawyer, and his friend, the Colonel, are connected by a weekly chess game and a local tradition of families sharing food, “paraded through the neighborhood in tiffin carriers, in thermos flasks, upon plates covered in napkins tied in rabbit ears.” Shortly after Desai’s magnificent third novel opens, the two families are also connected by a marriage proposal. Upon hearing that Sonia is feeling lonely at college in Vermont—loneliness? Is there anything more un-Indian?—and unaware that she is romantically involved with a famous, much older painter, her elders deliver a hilariously lukewarm letter proposing that she be introduced to Sonny, the Colonel’s grandson. Sonny is living in New York working as a copy editor at The Associated Press, and he, too, has a partner no one knows about. Sonny’s family feels they are being asked to give up their son to balance out some long-ago bad investment advice from the Colonel; on the other hand, they would very much like to get the other family’s kebab recipe. The fate of this half-hearted setup unfurls over many years and almost 700 delicious pages that the author has apparently been working on since the publication of The Inheritance of Loss (2006), which won the Booker Prize and National Book Critics Circle Award. You can almost feel the decades passing as the novel becomes increasingly concerned with the process of novel-writing; toward the end, Sonia can’t stop thinking about whether, if she writes all the stories she knows, “these stories [would] intersect and make a book? How would they hold together?” Desai’s trust in her own process pays off, as vignettes of just a page or two (Sonia’s head-spinning tour of a museum with the great artist; Sonny’s lightning-strike theory that only people who have cleaned their own toilet can appreciate reading novels) intersect with the novel’s central obsessions—love, family, writing, the role of the U.S. in the Indian imagination, the dangers faced by a woman on her own—and come to a perfectly satisfying close.
A masterpiece.Pub Date: Sept. 23, 2025
ISBN: 9780307700155
Page Count: 704
Publisher: Hogarth
Review Posted Online: June 6, 2025
Kirkus Reviews Issue: July 15, 2025
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
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