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CATHEDRAL OF THE SEA

Less learned than the work of compatriot Arturo Pérez-Reverte, but more intelligent than the average beach book.

No one expects the Spanish Inquisition.

Set in 14th-century Catalonia, Barcelona attorney Falcones’s sprawling medieval family saga, a bestseller in Spain, starts with a nasty little bit of prima nocta, which, come to think of it, got another bestselling medieval epic, Braveheart, rolling. The dastardly lord Llorenc de Bellera comes calling on good Bernat Estanyol on his wedding night and declares, in lawyerly lingo, “ ‘In accordance with one of my rights as your lord, I have decided to lie with your wife on her first night of marriage.’ ” Not a friendly thing to do, as the lovely Francesca discovers, but not the last unfriendly act on Llorenc’s part, as Bernat’s sturdy son Arnau discovers. Arnau has bigger fish to fry before arranging to avenge the family honor: First he has to go fight against the assembled enemies of Catalonia, then take care of some trouble with his brother, who, the bloodlines being all confused by now, has taken to behaving like Llorenc, but this time in priestly habit. Despite his misfortunes, Bernat remains a good-natured man—he dares, for instance, to smile at a Jew. Arnau inherits the sense of equitability and fair play, though Falcones can’t help observing that Arnau’s Jewish pal has “a piercing gaze and hook nose,” certainly not the best traits in an inquisitorial age. Brother Joan, for his part, finds that there’s good work to be had in being an inquisitor, heading north to do his thing, since “most of the doctrines that the Catholic church considered heretical came through Catalonia from France.” Much snarling and mustache-twisting and muttering in Latin and sword-crossing ensues; stones are lifted, a cathedral is built, heretics are burned, all business as usual in such climes.

Less learned than the work of compatriot Arturo Pérez-Reverte, but more intelligent than the average beach book.

Pub Date: April 17, 2008

ISBN: 978-0-525-95048-6

Page Count: 592

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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