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THE BAREFOOT QUEEN

Very slow to gain momentum, but colorful background and a slam-bang finale almost make up for it.

Another historical epic from best-selling Falcones (The Hand of Fatima, 2011, etc.), this one set among Spain’s fiery gypsies.

The busy tale begins with the arrival in Cádiz of Caridad, an African slave from Cuba liberated but stranded by the shipboard death of her master. She’s rescued after weeks of abuse at the hands of various brutal white men by Melchor, patriarch of the Vega clan of gypsies. Most of the action involves this odd couple, plus Melchor’s daughter, Ana, and granddaughter, Milagros. They are separated by the mass roundup of gypsies in 1749: Ana, like thousands of others, is jailed and endures years of torment; from prison, she disowns Milagros for marrying Pedro García, whose family has an ancient blood feud with the Vegas. There’s no question about who’s in the right, as Pedro proves to be a rotten husband who, when Milagros’ talents as a dancer and singer take them to Madrid, starts by cheating on her and ends by pimping her out by force to aristocrats, then branding her a whore. Meanwhile, feisty Melchor and annoyingly passive Caridad have various adventures while the author treats us to large doses of historical background poorly incorporated into his eventful fiction. The translator can perhaps be blamed for such anachronistic dialogue as, “No way!” and “Yeah, yeah,” but not for the whipsawing from one storyline to another that prevents readers from connecting with any of the characters until far too late. Only Falcones’ vivid portrait of gypsy culture—a proud, amoral and unabashedly sensual challenge to puritanical Spanish Catholicism—maintains interest as the plot twists on and on. The narrative does eventually arrive at a climactic confrontation and a moving affirmation of gypsy solidarity and tenacity, but it’s an awfully long slog to get there.

Very slow to gain momentum, but colorful background and a slam-bang finale almost make up for it.

Pub Date: Nov. 25, 2014

ISBN: 978-0-8041-3948-9

Page Count: 640

Publisher: Crown

Review Posted Online: Oct. 8, 2014

Kirkus Reviews Issue: Oct. 15, 2014

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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