An interesting life rendered in a flawed manner.
A chef tells how she overcame family dysfunction and substance abuse to become the proprietor of a Michelin-starred restaurant.
Regan grew up a tomboy on an Indiana farm “dropped smack in 10 acres of cornfields, wild edibles, and Native American burial grounds with pulsating ghosts.” From a mother who saw “food [as] love,” she learned how to cook and can from scratch. From her father, whose mother owned a small cafe, she learned how to roast meat on homemade grills and forage for wild mushrooms. For most of her childhood, she lived with her colorful, raucous family, watching her parents grow apart, threaten divorce, and then come back together again. Relief at having her family back came at the cost of leaving the farm she loved but that her mother no longer wanted to maintain. Adolescence proved to be as painful as it was forgettable: “High school sucked a small flaccid dick.” At first, Regan, who questioned both her gender identity and sexuality, tried to fit in. Then she rebelled, drinking, crashing cars, and going to jail twice before graduating high school and eventually going to live in Chicago. Up-and-down relationships and a string of restaurant jobs helped her survive the difficult years after her parents’ divorce and her alcoholic sister’s untimely death in a Florida jail. Wanting to do more with her life than “[wake] up in cells or beds or other places I didn’t want to be,” the author launched a successful restaurant business that she initially ran from her own home, featuring dishes she not only created, but for which she also foraged ingredients. The basic narrative elements that comprise Regan’s story—a misfit hero fumbling and bootstrapping her way to culinary fame—are compelling. However, the temporally fractured nature of the story makes it difficult to follow, and the unevenness of the writing—sometimes lively, sometimes messy and unconsidered—makes for less than satisfying reading.
An interesting life rendered in a flawed manner.Pub Date: July 16, 2019
ISBN: 978-1-57284-267-0
Page Count: 250
Publisher: Agate Midway
Review Posted Online: May 6, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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