Throughout this animated and inspiring biography, Perry reminds us that the “battles Lorraine fought are still before us:...
An intimate portrait of the artist as a black woman at the crossroads.
Perry (African-American Studies/Princeton Univ.; May We Forever Stand: A History of the Black National Anthem, 2018, etc.) feels strongly that Lorraine Hansberry (1930-1965) is an “important writer who has far too little written about her [and]…about her life.” This is a deeply personal book, less a biography than perhaps a “third person memoir” or “homage.” Perry infuses the narrative with a sense of urgency and enthusiasm because she believes Hansberry has something to teach us in these “complicated times.” Impressively, she tells her subject’s story in a tightly packed 256 pages. In her early years, Hansberry was radiant. The middle-class girl who grew up on Chicago’s South Side wasn’t the best student, but she had a “gift for leadership.” She displayed a sense of melancholy and loneliness as well as an insatiable intellectual yearning. After briefly attending the University of Wisconsin, she moved to New York, first to Greenwich Village and then Harlem, where she immersed herself in politics and 1950s activism with other intellectuals and artists. She married her partner in the radical left, Robert Nemiroff, in 1953. They divorced, amicably, in 1964, and Nemiroff would remain a friend, caretaker, and champion of her writings and legacy. Perry argues that we must deal head-on with Hansberry’s sexuality; it’s “unquestionable” that she was a lesbian, and the author discusses it in detail. Perry also smartly delves into the inspirations for Hansberry’s brilliant The Raisin in the Sun (kitchenette buildings, Gwendolyn Brooks, Langston Hughes) and engagingly explores Hansberry’s profound friendships with James Baldwin and Nina Simone. In her later years, Hansberry was an American radical; radicalism “was both a passion and a commitment. It was, in fact, a requirement for human decency.”
Throughout this animated and inspiring biography, Perry reminds us that the “battles Lorraine fought are still before us: exploitation of the poor, racism, neocolonialism, homophobia, and patriarchy.”Pub Date: Sept. 18, 2018
ISBN: 978-0-8070-6449-8
Page Count: 256
Publisher: Beacon Press
Review Posted Online: June 11, 2018
Kirkus Reviews Issue: July 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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