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HERE COMES MOTHER GOOSE

This oversized companion to the much ballyhooed My Very First Mother Goose (1996) will take toddlers and ex-toddlers deeper into the playscapes of the language, to meet Old King Cole, Old Mother Hubbard, and Dusty Bill From Vinegar Hill; to caper about the mulberry bush, polka with My Aunt Jane, and dance by the light of the moon. Mixing occasional humans into her furred and feathered cast, Wells creates a series of visual scenarios featuring anywhere from one big figure, often dirty or mussed, to every single cat on the road to St. Ives (over a thousand). Opie cuts longer rhymes down to two or three verses, and essays a sly bit of social commentary by switching the answers to what little girls and boys are made of. Though Wells drops the ball with this last, legitimizing the boys’ presence in a kitchen by dressing them as chefs, in general the book is plainly the work of a match made in heaven, and merits as much popularity as its predecessor. (Folklore. 1-6)

Pub Date: Oct. 1, 1999

ISBN: 0-7636-0683-9

Page Count: 107

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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OLD MACDONALD HAD A FARM

Old MacDonald had a farm, and on his farm animals pop up, wiggle, and roll their eyeballs. This hilarious paper-engineered version of the classic song will engage readers of all ages. The illustrations are amiable cartoons, while the mechanics of the pop-ups are superb. Old MacDonald’s tractor shakes its rear tires; a row of hungry cows roll their eyes and chew their cuds with enthusiasm. Not only are the movements funny, but the pull-tabs are tough—this book was designed to handle heavy use—and will probably survive even library circulation. (Pop-up. 2-5)

Pub Date: March 1, 1999

ISBN: 0-531-30129-X

Page Count: 12

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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WHO BOP?

PLB 0-06-027918-4 In a tongue-tangling word-romp, London (Hip Cat, 1993, etc.) invites children to “jump right in, to swirl and spin” with the animal-attendees of his sock hop. This swinging party features cool cats, whirling rabbits, frolicking dogs, cavorting mice, and springing frogs, all grooving in half-tugged socks. London combines the deeply satisfying sounds of drums and keyboards with the upbeat be-bop of the sax to create a book that, when read out loud (at story hours or anytime), rivals the cadence of rhythm and blues. Working in confident, vivid colors, Cole sets out a playful visual introduction to musical instruments; the scenes are fairly bursting with joyful dancers who are so engaging that joining the hip-hop hoppin’ may be the only way to go. (Picture book. 3-6)

Pub Date: Feb. 29, 2000

ISBN: 0-06-027917-6

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1999

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