Stronger in character than plot but spooky in parts.
An old Colorado hotel with dark secrets and a brooding horror novelist as its caretaker make a properly atmospheric setting for a young filmmaker’s latest project.
Fresh from the cinematic escapades of Shark Summer (2021), teenage documentarian Elijah Jones arrives in Estes Park thinking he’s been invited to record a rare interview with famous recluse Jack Axworth—but he’s actually been summoned to make a biopic of the novelist, who has young-onset dementia. Once again, the footage Elijah ends up with tells more than the story he set out to make, as Axworth’s poignant reminiscences and increasingly erratic behavior become inextricably mixed with a portrait of a struggling town whose history and very survival center on the nearby Underlook Hotel, a closed-up resort haunted by tales of supernatural evil and slated for imminent demolition. Is there time to save it? The storyline struggles to advance through thickets of subplots and hints, but the Underlook’s deadline adds enough suspense to keep readers interested, and the hotel turns out to have hidden levels and treasures to be discovered when the action flags. Also, Marcks trots out such an engaging supporting cast, led by local teen engineering whiz Suzy Hess and including colorful characters like a ghost hunter with a truly creepy crow, that watching the ensemble in action is pleasurable enough. Finished art was not seen, but Elijah and another significant character present as Black in the otherwise White cast.
Stronger in character than plot but spooky in parts. (Graphic fiction. 10-13)Pub Date: Oct. 25, 2022
ISBN: 978-0-316-27806-5
Page Count: 304
Publisher: Little, Brown
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.
Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.
While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)Pub Date: May 17, 2022
ISBN: 978-0-06-305677-0
Page Count: 256
Publisher: HarperAlley
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample...
A home-schooled squireling sallies forth to public school, where the woods turn out to be treacherous and dragons lie in wait.
Imogene Vega has grown up among “faire-mily”; her brown-skinned dad is the resident evil knight at a seasonal Renaissance faire, her lighter-skinned mom is in charge of a gift shop, and other adult friends play various costumed roles. As a freshly minted “squire,” she happily charges into new weekend duties helping at jousts, practicing Elizabethan invective (“Thou lumpish reeling-ripe jolt-head!” “Thou loggerheaded rump-fed giglet!”), and keeping younger visitors entertained. But she loses her way when cast among crowds of strangers in sixth grade. Along with getting off on the wrong foot academically, she not only becomes a target of mockery after clumsy efforts to join a clique go humiliatingly awry, but alienates potential friends (and, later, loving parents and adoring little brother too). Amid stabs of regret she wonders whether she’s more dragon than knight. In her neatly drawn sequential panels, Newbery honoree Jamieson (Roller Girl, 2015) portrays a diverse cast of expressive, naturally posed figures occupying two equally immersive worlds. In the end Imogene wins the day in both, proving the mettle of her brave, decent heart in finding ways to make better choices and chivalric amends for her misdeeds.
Readers will cheer her victories, wince at her stumbles, and likely demand visits to the nearest faire themselves to sample the wares and fun. (Graphic fiction. 10-13)Pub Date: Sept. 5, 2017
ISBN: 978-0-525-42998-2
Page Count: 248
Publisher: Dial Books
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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