by Irene Latham ; illustrated by Thea Baker ‧ RELEASE DATE: Oct. 1, 2018
Certainly the most engaging of the recent wave of octopus stories, for reading aloud or reading alone.
Toward the end of her short life, an octopus exchanges a series of postcards with others around her, including a boy on a pier and her newly hatched eggs.
Spread by spread, a simple narrative accompanied by postcard messages provides clever introduction to the life of a giant Pacific octopus. Though Latham’s story is thoroughly fantastic, both author and illustrator have been respectful to this amazing creature, describing realistic behaviors and depicting her relatively accurately, right down to the rectangular pupils of her eyes and her senescent color change. Agnes the octopus squeezes herself into a jar and later into a crevice in the rocks. As “Crabby Crab” requests, she stops eating crabs, but only because she’s ready to lay her eggs. She evades a predator by ejecting a cloud of ink. She quietly tends her eggs until they hatch, and then she bids the world goodbye. She has final advice for her pen pal Andrew, too: “You can’t be mad or sad when you’re swimming. Try it.” Backmatter offers further information about octopuses (including the correct plural) as well as solid suggestions for further reading. Baker’s appealing collage, acrylic paint, and digital illustrations are full of deep-sea color and abound with interesting patterns and textures. They include other thoroughly recognizable sea dwellers.
Certainly the most engaging of the recent wave of octopus stories, for reading aloud or reading alone. (Informational picture book. 4-7)Pub Date: Oct. 1, 2018
ISBN: 978-1-5124-3993-9
Page Count: 32
Publisher: Millbrook/Lerner
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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