Poets weigh in on childhood boo-boos and faux pas that still haunt them.
“My mother used to tell me, / ‘Think before you do.’ / I wish I would have stopped and thought / before I used the glue.” If readers are more disquieted than soothed by the notion that they, too, may wind up agonizing over flubs years, even decades, later, most of the poets at least try to point to positive life lessons learned. Not that they’re always convincing: Allan Wolf, for instance, claims that he learned to forgive himself for a soccer own goal he nonetheless still remembers scoring in fourth grade, and Tabatha Yeatts’ memories of performing well on a summer camp stage despite blowing off the rehearsals comes off as more of a humblebrag. Still, Linda Sue Park’s embarrassment at mispronouncing a word in class, and Jaime Adoff’s for insisting on pitching when he could barely get a baseball to the plate, had salutary results on their respective self-images, while Margarita Engle learned the value of thinking for herself after cutting off her braids at a schoolmate’s suggestion, as did Kim Rogers (Wichita) after playing the role of a white settler in an Oklahoma Land Run Day celebration. López reflects the multiracial cast of the contributors in her bright and energetic views of young people amid diverse family or other groups.
Comforting reminders that nobody’s perfect, infused with lessons large and small.
(about the poets) (Picture book poetry. 6-9)