by Irene Latham ; illustrated by Il Sung Na ‧ RELEASE DATE: Oct. 19, 2021
This journey through nature may not be perfect, but it’s worth taking.
A meditative exploration of the peace that exists in the communion between humans and nature.
A small, pale-skinned, black-haired child wearing a bright orange-and-red dress shares an almost colorless playroom with three other children, all colorless. The text describes this place as filled with “noise and fury,” and when a red butterfly flits through the open window, the protagonist follows the butterfly through a multihued crayon mural taped to the wall to the other side, into a wild forest. Suddenly, an abundance of colors in soothing shades fills the full-page spreads, depicting the flora and fauna of this (perhaps) imaginary forest in playful and delicate scenes. Clearly, nature is where the child finds peace, and the two are essentially equated. The poetic text, featuring one or two approximately rhyming lines on each page, presents a string of metaphors for peace such as, “Peace gathers as many nuts as it can carry / and feasts on a perfect berry.” Almost a dozen such personifications extolling the wonders and beauty of nature conclude at dusk and bring the protagonist home. While the poetic form is awkward in places and the metaphors sometimes feel stretched, the feelings of escape and tranquility in nature shine through. (This book was reviewed digitally.)
This journey through nature may not be perfect, but it’s worth taking. (Picture book. 3-7)Pub Date: Oct. 19, 2021
ISBN: 978-1-250-31042-2
Page Count: 40
Publisher: Roaring Brook Press
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
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by Hope Vestergaard ; illustrated by David Slonim ‧ RELEASE DATE: Aug. 27, 2013
While there are many rhyming truck books out there, this stands out for being a collection of poems.
Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.
Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.
While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)Pub Date: Aug. 27, 2013
ISBN: 978-0-7636-5078-0
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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by Tom Percival ; illustrated by Tom Percival ‧ RELEASE DATE: May 1, 2018
A heartwarming story about facing fears and acceptance.
A boy with wings learns to be himself and inspires others like him to soar, too.
Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”
A heartwarming story about facing fears and acceptance. (Picture book. 3-5)Pub Date: May 1, 2018
ISBN: 978-1-68119-785-2
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
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