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ASIMOV ON SCIENCE FICTION

Believe it or not, this 55-piece collection of writings on sf is a first for the prolific, erratic, unself-critical Asimov. Most of the items are from the late 1970s (the two 1962 introductions to volumes of Soviet sf are painfully out-of-date); they include 22 editorials from his Science Fiction Magazine, pieces from Newsday, from encyclopedias, sf fanzines, TV Guide, Natural History (as well as three not previously published); the content is correspondingly varied and variable. In the first section, "SF in General," Asimov takes five stabs at defining sf (the same examples crop up) and still comes up empty-handed ("surely not all sf can be viewed as travel tales"); "The Predictions of SF" contains one essay with some bite (how sf can foresee and help solve problems), and a second that's no more than a list of future possibilities. "The Writing of SF" is all editorials—mostly routine exhortations to budding writers ("under no circumstances should you describe Titan as a satellite of Jupiter"); "SF Fans"—editorials too—might be of some interest to Trekkies and other perennial convention-goers. "The History of SF" has its anecdotes, as does "SF Writers"—on Campbell and his wife Peg, H. L. Gold, Gernsback, Weinbaum. There's also a blurb-style discussion of Bradbury, and a mention of Asimov's mutual-admiration society with Arthur Clarke. "SF Reviews" features Asimov's only serious attempt at criticism: he tackles 1984 from an sf point of view (but why assume it's sf? Orwell didn't) and comes disastrously unstuck. On firmer ground, he gleefully chews up and spits out "Battlestar Galactica" and other "Star Wars" imitations; and wheels out Byron, Coleridge, and Sterne to attack critics in general. Bringing up the rear, "SF and I" more or less describes itself. What it all adds up to is hard to say: cognoscenti will find it repetitive, shallow, and banal; intelligent general readers will be repelled by Asimov's opinionated verbosity and facile attempts at humor. But dutiful disciples of the Master will at least give it a once-over.

Pub Date: April 17, 1981

ISBN: 0246120444

Page Count: -

Publisher: Doubleday

Review Posted Online: Sept. 15, 2011

Kirkus Reviews Issue: April 1, 1981

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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