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IN THE BEGINNING

SCIENCE FACES GOD IN THE BOOK OF GENESIS

For whom can this book be written? A fundamentalist would dismiss Asimov's rational debunking as to-be-expected. Students interested in the Bible can find far richer sources of commentary among Biblical scholars, historians, archaeologists, anthropologists. Asimov fans, maybe? Only True Believers in the Master could follow him through this verse-by-verse annotation of the first eleven chapters of Genesis—382 extended footnotes in all. Yes, Asimov lets us know that we are dealing with both a priestly (P) source and the Jahweh (J) source, and that the two interweave and contradict each other in Genesis. And he lets us know about the Sumerians and the Akkadians, the Babylonians and the Gilgamesh epic. But far too often he says things like this (about the flood): "Fifteen cubits is about twenty-two feet, and this is laughably insufficient to cover the mountains." He tells us that "Peleg died at the age of 239; that is 2007 B.C. Noah was still alive at the time, being 940 years old." He tells us (on the J-source story of the creation of woman): "The formation of the woman out of the rib bears a distant resemblance to what we now think of as 'cloning.' Of course, what God is described as doing in the Bible has a miraculous quality that cannot be legitimately compared to a mere human operation." So much for fact and style. Indeed, the book seems at times a self-parody. There is Asimov the Zealous, explaining—and explaining away—each verse; there is Asimov the Talmudic scholar, saying on-the-one-hand-it-might-be-this. . . or, then-again-it-might-be-that. . . . There is Asimov the numerologist, contemplating days and weights and measures. And always there is Asimov the scientist, using any old Biblical allusion as an excuse for a brief excursion on entropy, or stellar evolution, or cloning. But of enlightened entertainment there is none.

Pub Date: March 4, 1981

ISBN: 0759298815

Page Count: -

Publisher: Crown

Review Posted Online: Sept. 15, 2011

Kirkus Reviews Issue: March 1, 1981

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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