High marks for Asimov as he leads us down the astronomical garden path from particles and forces to black holes—the ultimate be-all or end-all of a collapsing (but maybe not) universe. The path is logically traced through the composition of planets and the evolution of stars through red giants and white and black dwarfs. From here we go to explore the more recent exotic flora—neutron stars, pulsars, quasars. Finally the gate is open to the world of the black holes, consisting of a mass so compressed by gravitational force as to overcome nuclear forces and escape velocity so that photons cannot radiate out (hence the hole's blackness). Then it's on to speculations that bespeak Asimov the sci-fier no less than the expositor as he discusses mini- or maxi-holes, "wormholes," white holes, and so forth. There are typical Asimov homely touches (he explains major concepts in terms of books on tables or earth-moon relations); there are dashes of ego and such idiosyncrasies as giving full names, dates, and national origins of scientists mentioned. These familiar trademarks can be attributed to that zeal which says "I know and want to explain." Certainly this is a good exemplification, exuberant and really quite exciting as it demystifies those longish all-too-often incomprehensible newspaper accounts.
Pub Date: April 1, 1977
ISBN: 0802704867
Page Count: -
Publisher: Walker
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: April 1, 1977
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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