Seventeen essays from the Magazine of Fantasy and Science Fiction form this latest Asimov anthology. What's neat about the group is that rather than present random reviews, the essays are connected serially, laid out nicely in four major areas: physical chemistry, biochemistry, geochemistry and astronomy. The themes represent an interesting reprise of 19th- and 20th-century science. Physical chemistry focuses on batteries and, naturally, on electricity and magnetism, first from the point of view of the Galvanis and Voltas, the Oersteds, Faradays and Henrys, down to the postwar transistor era and current work on fuel and solar cells. One can imagine 12-year-olds reading these chapters virtually as do-it-yourself recipes for running wires around iron cores or making their own voltaic piles. Biochemistry is a treat for nutritionists. Asimov concentrates on the history of the discovery of vitamins and trace elements necessary for life. He reviews the classic experiment of British surgeon James Lind, who fed oranges and lemons to sailors to prove that the fruits would prevent scurvy (but alas did not live to see his advice heeded), down to the 20th-century stories of beriberi, pellagra and pernicious anemia. Biochemist Asimov is excellent here as he explains how vitamins work and why some need a "coenzyme" to do the job. Geochemistry plays upon the theme of tunneling to the center of the earth. Asimov unravels the mysteries of mass, temperature, and magnetism and how discoveries of radioactivity and devices like the seismograph have built up the present picture of the earth as thin crust atop a mantle over inner solid and liquid cores. Part four, culminating in the title essay—are Asimovian speculations on stars, planets, and space, beginning with a fine historical essay on time measurement, and ending with thoughts on where the universe is headed. To reach that climax, Asimov introduces concepts of "the Void," interstellar molecules and dust, the notion of superstars (not to be confused with supernovae), and the unresolved astronomical problem of the "missing Mass." Asimov presents alternatives (his own, he confesses) that would make it possible for universes to form and reform even if the present mass is insufficient to prevent an endless expansion and recession of galaxies. Here Asimov the scientist and science-fiction writer meet in an artless, seamless way that marks the man as formidable and readable as ever.
Pub Date: Feb. 6, 1987
ISBN: 0586202811
Page Count: -
Publisher: Doubleday
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1987
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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