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HOW DID WE FIND OUT ABOUT BLACK HOLES?

In the latest of his chronological approaches to understanding science, Asimov spares us the observations of the ancients and begins in 1844 when "A German astronomer, Friedrich Wilhelm Bessel, discovered a star he couldn't see." From this first glimmer of a "dark companion" to Sirius up to the sophisticated contributions of Stephen Hawking, Asimov traces a direct, unclouded course through the heady universe of white dwarfs and red giants, supernovae, pulsars, and the rest. Assuming no prior knowledge, he easily assimilates atomic structure and stellar evolution into the same simple, ongoing explanations. More narrowly focused than Berger's Quasars, Pulsars, and Black Holes in Space (1977), this lacks the cosmic excitement of Branley's Black Holes, White Dwarfs, and Superstars (1976), but by the same token it's less of a trip for the unambitious reader.

Pub Date: Dec. 1, 1979

ISBN: 0802763367

Page Count: -

Publisher: Walker

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Dec. 1, 1979

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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