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HOW DID WE FIND OUT ABOUT DINOSAURS?

This is the fourth volume in Asimov's "How Did We Find Out. . ." series which aims at reader participation in the process of discovery, but there is nothing in his lackluster survey of fossil finds and dinosaur features to stimulate any kind of mental activity. The first half of the book, which doesn't mention dinosaurs, skims through some landmarks in natural history from the 1500's on (Gesner — "the first man to draw pictures of fossils," Bonnet's disaster theory to reconcile fossils with the Bible, Linnaeus' system of classification, Darwin's theory of evolution) and might have better been entitled "How We Found Out the Earth Wasn't Created in Six Days." The pages on dinosaurs themselves, after the usual mention of Mary Anning who found the first ichthyosaur and plesiosaur remains, is simply a rundown on the size, names, build and eating habits of a few of the better known species — and as such surely superfluous.

Pub Date: Oct. 18, 1973

ISBN: 0380595842

Page Count: -

Publisher: Walker

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1973

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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