As in his other How Did We Find Out books, Asimov begins with the beliefs of primitives and ancients; later come summaries of other theories that "didn't work out" either, plus a synopsis of landmarks in the development and application of the seismograph. As earthquakes can't be considered today without reference to plate tectonics, Asimov starts that story with Wegener's continental drift theory, touches on the evidence from the seafloor, and—with a diagram showing where the plates line up today—concludes that most earthquakes take place on the cracks between them. With a stretched-out discussion of whether people should "leave" (evacuate) on the mere possibility of a quake, this is one of the flimsier entries in Asimov's history-oriented series. Readers will come away from Fodor's Earth in Motion (p. 638, J-154), about plate tectonics, with a better understanding of earthquakes than they get here; for a fuller all-around discussion of the subject, see Lauber's Earthquakes (1972).
Pub Date: Sept. 30, 1978
ISBN: 0380534622
Page Count: -
Publisher: Walker
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Sept. 1, 1978
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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