by Isaac Asimov ‧ RELEASE DATE: April 25, 1980
The second volume of Asimov's blockbuster autobiography (begun with In Memory Yet Green, 1979) picks him up at age 34, teaching biochemistry at Boston University School of Medicine and under fire as a sci-fi sensation, and leaves him, at 58, the Compleat Science Writer, dubbed by George Gaylord Simpson "a natural wonder and a natural resource." That accolade particularly pleased Asimov because it signaled recognition for a work in pure Asimovian style—the 1960 Wellsprings of Life—by the scientific community; in contrast, the also-lauded Intelligent Man's Guide to Science was and is abjured by Asimov because of heavy-handed cutting and rewriting by an editor. And that is not the only time we learn that Asimov will brook no blue-penciling, for the chapters here, with their brief numbered parts, are primarily accounts of what author Asimov was currently up to: who are the writers, editors, and publishers he's seeing; what rankles and what pleases, what brings fame or blame; and, not least, what he's earning (until the early 1960s, when he tops $70 thousand a year and draws the curtain). To be sure, wife Gertrude and the children swell a scene or two, and there are wry tales of suburban life and Jewish fatherhood. But writing is what the book is about, and to that extent it is more interesting and less self-indulgent than its predecessor. In a telling anecdote, Asimov acknowledges the insight of daughter Robyn who in little-girl fashion once asked what he would do if he had to choose between her and writing (and did not fail to note the slight hesitation in his voice, as he gave the inevitable reply). There are some interesting glimpses into how Asimov works—by plumbing the literature, we are told, never by interviews (a "waste of time"). And we learn of his compulsive need for concurrent projects: "There must be no endings. Several balls must always be in the air." In time marriage #1 dissolves, not without sadness and guilt, and marriage to Janet, the psychiatrist and intellectual soul-mate of many years, eventually takes place. In 1957, Asimov, overweight and overcommitted, suffers a coronary, which is described with typical objectivity and earns the reader's compassion. Asimov, ever admirable if exasperating, ends the book on the rebound, pounds lighter, and enthusiastic over projects to come—including (you guessed it) a fulfillment of the book's last line: "To be continued."
Pub Date: April 25, 1980
ISBN: 0385155441
Page Count: -
Publisher: Doubleday
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: April 1, 1980
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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