A kosher coming-of-age story with a bissel of romance.
Yocheved “Yoyo” Gold is a good Orthodox Jewish girl.
She proudly does the family’s grocery shopping, the weekly Shabbos cooking, and even looks after her two younger brothers. When her closest friend, Esti, is suddenly put on a plane to attend boarding school in Las Vegas after kissing boys and breaking the laws of kashrut, Yoyo feels blindsided, depressed, and betrayed. She misses sharing absolutely everything with her best friend and only confidant. While she’s volunteering with Jewish Hunger Relief, Yoyo is paired for meal delivery with Mickey, who has a white dad and a Korean and white mom who’s a rabbi at a Reform synagogue. Through her, Yoyo is introduced to different ways of being Jewish. She soon decides to get the filter on her smartphone removed and turns to TikTok for comfort. As she attempts to navigate her sheltered upbringing on the outskirts of Philadelphia and the intoxicating world of social media, Yoyo confronts new situations and difficult decisions. Through her new friendship and a budding forbidden romance with Shua, her friend Chani’s older brother, Yoyo discovers more about herself and the role she wants to play within her family and the Orthodox Jewish community. The book’s well-written short chapters and fast-paced, first-person narrative will keep readers glued to the pages. Yoyo’s voice is compelling, and both she and her observant family are portrayed positively and respectfully. Blum’s fans won’t be disappointed.
A kosher coming-of-age story with a bissel of romance. (Fiction. 14-18)Pub Date: Oct. 15, 2024
ISBN: 9780593525852
Page Count: 304
Publisher: Philomel
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
PERSPECTIVES
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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