Unique and emotionally deep.
An archivist who happens to be a vampire receives a collection belonging to the late creator of a cult TV show, triggering a series of dramatic life shifts.
Even before he became a vampire—spurred by a freak case of tetanus, after which his body must be sustained by blood transfusions and religiously shielded from the sun—Sol Katz had always lived somewhat apart from others. A trans man who, for years pre-transition, inhabited a body he “[couldn’t] bear to have touched,” Sol has always worked “best with imaginary or fictitious people,” first as a fan fiction writer and then a steadfastly patient archivist at the Historical Society of Northern California. Sol’s reclusive life, though, is disrupted when the magnetic Elsie brings in a collection belonging to Tracy Britton, her dead wife, the creator of the science-fiction TV show Feet of Clay. Coincidentally, this is the fandom in which Sol used to write. Almost instantly, Sol’s world is shaken as he forms an intimate bond with Elsie, who is stubbornly vulnerable and unequivocally herself; and as he goes through Tracy’s papers, he relives the journey he’s taken to understand his own gender identity. As he and Elsie grow closer, he must contend with the nearly frightening experience of desire for the first time in years and the risks inherent in a sexual relationship with a human—to whom vampire bites can be dangerous. As Sol’s life threatens to disintegrate around him—Tracy’s collection inexplicably decays before his eyes; he experiences near brushes with the sunlight after sleeping over at Elsie’s—he's led to reevaluate his life and weighs the benefits of safely tucking himself away in the archives against inhabiting the flesh-and-blood human world. Author Fellman has sensitively constructed the complex internal landscape of a multilayered protagonist whose self-consciousness, quirks, and anxieties are palpable; vampire or not, Sol is a uniquely relatable character whose inner life jumps off the page. Though Sol and Elsie’s relationship sometimes veers into the saccharine, their shared vulnerability as each grapples with their sexual and gender identities is genuinely moving. Most of all, the book’s musings about bodies—their trials, tribulations, and pleasures; the ways they sometimes serve and sometimes oppose their owners—provides a deep, rich undercurrent.
Unique and emotionally deep.Pub Date: Feb. 22, 2022
ISBN: 978-0-14-313691-0
Page Count: 256
Publisher: Penguin
Review Posted Online: Dec. 14, 2021
Kirkus Reviews Issue: Jan. 1, 2022
BOOK REVIEW
Have tissues ready as you read this. A small package will do.
A love story about a life of second chances.
In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.
Have tissues ready as you read this. A small package will do.Pub Date: Oct. 7, 2025
ISBN: 9780062406682
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 18, 2025
Kirkus Reviews Issue: Aug. 15, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.
After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.
Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.
With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.Pub Date: Jan. 18, 2022
ISBN: 978-1-5420-2560-7
Page Count: 335
Publisher: Montlake Romance
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
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