Allende’s tale risks but resists descending into melodrama at every turn. The up-to-date, even postmodern ending makes for a...
A graceful imagining of the saber-wielding, justice-dispensing freedom fighter of yore.
Children of the ’50s may happily remember Guy Williams’s TV portrayal of the legendary Zorro, who carved his signature initial into his enemies’ flesh with the point of his sword and kept the entire Spanish army in Alta California busily searching for him. Latter-day Californian Allende (Kingdom of the Golden Dragon, 2004, etc.) provides a backstory that brims with modern concerns: In her hands, Zorro is an ever-so-slightly tormented revolutionary whose sense of justice comes from the accident of his birth. The child of a Spanish officer and a Shoshone Indian woman, Diego de la Vega grows up with a profound knowledge of the injustices wrought by Europeans on California’s native peoples. He takes his vulpine identity—zorro is Spanish for "fox"—early on, after a fox delivers him from danger; says his grandmother, helpfully, "That zorro is your totemic animal, your spiritual guide. . . . You must cultivate its skill, its cleverness, its intelligence." He does, reaching adolescence "with no great vices or virtues, except for a disproportionate love of justice, though whether that is a vice or a virtue, I am not sure." A Rousseauian child of nature, de la Vega travels to Spain to acquire a continental education. Becoming radicalized in the bargain, he defies the country’s Napoleonic rulers and joins an underground alliance to battle them, then takes the fight back to America. But first de la Vega must endure being shanghaied by pirates, who, neatly enough, haul him before the legendary über-pirate Jean Lafitte for a parlay. He acquires yet more education in the bayous, then makes for California once more to visit mayhem on corrupt officialdom on behalf of truth, justice and the Spanish way of life.
Allende’s tale risks but resists descending into melodrama at every turn. The up-to-date, even postmodern ending makes for a nice touch, too, and will gladden the heart of anyone ready in his or her heart to carve a few Zs into the bad guys.Pub Date: May 4, 2005
ISBN: 0-06-077897-0
Page Count: 400
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
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