Like other tributes in the series, adequate fare for cluing newer readers in on some worthy role models.
A very first introduction to the great scientist.
Apparently more concerned with explaining why Marie Curie is worth knowing than compiling biographical details, Sánchez Vegara dispenses with most names and all dates to focus on achievements that reflect her subject’s intellect and character. Opening with Marie’s childhood vow to “be a scientist, not a princess” and her later move from her unnamed home country to become “the best math and science student in Paris,” the author highlights her marriage and Pierre’s “terrible accident,” her discoveries of radium and polonium (no explanation provided), her two Nobel Prizes, and how she helped injured soldiers in an unspecified way during a never-named war and afterward established an institute in Paris to further girls’ educations. Isa idealizes Curie’s features in the illustrations, portraying her as a sweet, smiling child with pale-white skin even in a final view (based on a famous photo) showing her sitting on a pile of books in a row of other great scientists—all of whom are, unsurprisingly, male and white. In the co-published Agatha Christie, illustrator Elisa Munsó at least lets her subject grow up but likewise (with rather more justice) leaves her among stacks of books after Sánchez Vegara’s generalized account of the author’s travels, detectives, and gift for plot twists. Both profiles close with photos, timelines, and afterwords that fill in some of the blanks.
Like other tributes in the series, adequate fare for cluing newer readers in on some worthy role models. (Picture book/biography. 5-7)Pub Date: March 2, 2017
ISBN: 978-1-84780-962-9
Page Count: 32
Publisher: Frances Lincoln
Review Posted Online: Dec. 25, 2016
Kirkus Reviews Issue: Jan. 15, 2017
A retro-futuristic romp, literally and figuratively screwy.
Robo-parents Diode and Lugnut present daughter Cathode with a new little brother—who requires, unfortunately, some assembly.
Arriving in pieces from some mechanistic version of Ikea, little Flange turns out to be a cute but complicated tyke who immediately falls apart…and then rockets uncontrollably about the room after an overconfident uncle tinkers with his basic design. As a squad of helpline techies and bevies of neighbors bearing sludge cake and like treats roll in, the cluttered and increasingly crowded scene deteriorates into madcap chaos—until at last Cath, with help from Roomba-like robodog Sprocket, stages an intervention by whisking the hapless new arrival off to a backyard workshop for a proper assembly and software update. “You’re such a good big sister!” warbles her frazzled mom. Wiesner’s robots display his characteristic clean lines and even hues but endearingly look like vaguely anthropomorphic piles of random jet-engine parts and old vacuum cleaners loosely connected by joints of armored cable. They roll hither and thither through neatly squared-off panels and pages in infectiously comical dismay. Even the end’s domestic tranquility lasts only until Cathode spots the little box buried in the bigger one’s packing material: “TWINS!” (This book was reviewed digitally with 9-by-22-inch double-page spreads viewed at 52% of actual size.)
A retro-futuristic romp, literally and figuratively screwy. (Picture book. 5-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-544-98731-9
Page Count: 32
Publisher: Clarion Books
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
Sure to “net” young audiences, who will definitely root for the birds.
A peace-waging parable, presented with wry minimalism à la Jon Klassen or Tomi Ungerer.
Carrying nets, three hunters creep up on a sleeping bird in a dark forest, but thanks to their own clumsiness, they repeatedly manage to get in one another’s way as the bird slips off. Meanwhile, despite their frantic shushing, a smaller, fourth figure waves and calls out “hello birdie,” offering bread. Soon, an entire flock has gathered around number four’s feet—a flock that proceeds to turn and chase the hunters away. The text runs to just a few words per page, but it neatly serves to crank up the suspense: “ready one / ready two / ready three… // GO!” Haughton (Oh No, George!, 2012) uses a palette of deep blues and purples for his simple forest scenes; this causes the hunters’ googly eyes to stand out comically and also makes the fuchsia, red and orange birds easy to spot and follow. Last seen creeping up on a squirrel, the hunters have plainly learned nothing from their experience…but young readers might.
Sure to “net” young audiences, who will definitely root for the birds. (Picture book. 5-7)Pub Date: Sept. 9, 2014
ISBN: 978-0-7636-7293-5
Page Count: 40
Publisher: Candlewick
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
