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ENTER GHOST

Hammad provides a brutal update on a classic theme.

An actress grapples with the political and contemporary significance of a classic tragedy.

Palestinian actress Sonia Nasir finds herself immersed in an essential drama, with repercussions extending beyond the stages she is accustomed to, upon a visit to her older sister, Haneen, in Israel. The women’s paternal grandparents maintained their home in Haifa in 1948, giving the family a foothold both inside Israel and in the West Bank. Haneen and Sonia grew up in London, but their annual childhood summer visits provided them with familiarity and comfort in the Arab world and knowledge of life in the Israeli state. Sonia, who still lives in London, attempts to heal psychic wounds resulting from the unpleasant end of a love affair by paying a long-delayed visit to her sister. A politically aware academic, Haneen has been living in Haifa and working at a university in Tel Aviv. Sonia has not returned to Haifa since before the second intifada and must absorb the cultural, political, and familial changes that have occurred since. Almost immediately upon her arrival, she becomes involved in a production of Hamlet put on by a Palestinian theater company, directed by her sister’s energetic and passionate friend Mariam Mansour. The production is politically charged, employs classical Arabic, and challenges Sonia personally and professionally. When Sonia eventually agrees to undertake the role of Gertrude, she becomes immersed in macro and micro aspects of the production and develops varying degrees of closeness with the rest of the cast, Palestinian theater veterans all (except for the pop star slated for the lead role to attract attention to the production). A thorough and thoughtful exploration of the role of art in the political arena unfolds as Sonia and the troupe work through rehearsals toward performing a tragedy with contemporary resonance.

Hammad provides a brutal update on a classic theme.

Pub Date: April 4, 2023

ISBN: 9780802162380

Page Count: 336

Publisher: Grove

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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  • New York Times Bestseller

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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