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A KILLER’S GAME

If you can swallow the outrageous premise, Maldonado keeps the plot boiling and the bodies dropping to the end.

Ever wanted to try out an escape room but been stopped by your own claustrophobia? Here’s the perfect substitute.

Alertly spotting the fatal poisoning in progress of Nathan Costner, chief of staff to Sen. Thomas Sledge, on a New York street, FBI agent Daniela Vega pursues the assassin but loses him in the crowd. Luckily, he’s soon identified anyway as Gustavo Toro, a killer for hire whom Dani’s boss, Special Agent in Charge Steve Wu, nabs and cuts a deal with that depends on Toro’s passing Dani off as his romantic and professional partner when he reports back to his paymaster, Col. Xavier Treadway, who’s said that he needs him for a big new operation. There’s a new operation all right, but it’s one in which Treadway is just another pawn, not a king. Someone calling himself Nemesis has lured 12—with the addition of Dani, 13—killers into a vast and isolated structure rife with dangers and promised that only one of them will make it out alive. “This was not entertainment,” Dani tells herself. “People’s lives were at stake.” But she’s doubly wrong, not only because she’s a character talking about other characters in a novel, but because a virtual version of the helpless killers’ attempt to escape from their elaborate trap by collaborating with each other when they must and killing each other when they can is streaming in real time for an audience that includes the FBI, the NYPD, the Joint Terrorism Task Force, and Dani’s kid sister and brother, who each bring something extra to the party.

If you can swallow the outrageous premise, Maldonado keeps the plot boiling and the bodies dropping to the end.

Pub Date: June 1, 2023

ISBN: 9781662507830

Page Count: 367

Publisher: Thomas & Mercer

Review Posted Online: March 10, 2023

Kirkus Reviews Issue: April 1, 2023

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PRESUMED GUILTY

An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.

Having been falsely convicted of murder himself years ago, prosecutor Rusty Sabich defies common wisdom in defending his romantic partner’s adopted son against the same accusation.

Now 76, Rusty has retired to the (fictitious) Skageon Region in the upper Midwest, far removed from Kindle County, Turow’s Chicago stand-in, where he was a star attorney and judge. Aaron Housley, a Black man raised in a bleached rural environment, has had his troubles, including serving four months for holding drugs purchased by Mae Potter, his erratic, on-and-off girlfriend. Now, after suddenly disappearing to parts unknown with her, he returns alone. When days go by without Mae’s reappearance, it is widely assumed that Aaron harmed her. Why else would he be in possession of her phone? Following the discovery of Mae’s strangled body and incriminating evidence that points to Aaron, Rusty steps in. Opposed in court by the uncontrollable, gloriously named prosecutor Hiram Jackdorp, he fears he’s in a lose-lose situation. If he fails to get Aaron off, which is highly possible, the boy’s mother, Bea, will never forgive him. If Rusty wins the case, the quietly detached Bea—who, like half the town, has secrets—will have trouble living with the unsparing methods Rusty uses to free Aaron. In attempting to match, or at least approach, the brilliance of his groundbreaking masterpiece Presumed Innocent (1987), Turow has his own odds to overcome. No minor achievement like a previous follow-up, Innocent (2010), the new novel is a powerful display of straightforward narrative, stuffed with compelling descriptions of people, places, and the legal process. No one stages courtroom scenes better than this celebrated Chicago attorney. But the book, whose overly long scenes add up to more than 500 pages, mostly lacks the gripping intensity and high moral drama to keep those pages turning. It’s an absorbing and entertaining read, but Turow’s fans have come to expect more than that.

An accomplished but emotionally undercooked courtroom drama by the author who made that genre popular.

Pub Date: Jan. 14, 2025

ISBN: 9781538706367

Page Count: 544

Publisher: Grand Central Publishing

Review Posted Online: Sept. 28, 2024

Kirkus Reviews Issue: Nov. 1, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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