This accessible story will validate readers who relish their quiet time as well as their friends.
Reading, friends, and fertile imagination combine in this neighborhood follow-up to Colette’s Lost Pet (2017).
Young Albert is looking through Mile End, an urban row-house neighborhood in Montreal, for a quiet place to read a book. In the alley, Albert finds a discarded painting of an ocean sunset and pulls up a chair in front of it for quiet reading and contemplation. The page turn gives way to a wordless double-page spread of Albert sitting in a chaise on the beach, and readers will understand that Albert has entered the ocean-sunset picture via imagination. Two friends arrive in the alley to repot a plant, and in Albert’s imaginative world they also enter the beach scene, building a sand castle. As other friends arrive, they, too, enter the beach scene, until it becomes crowded and noisy. Finally Albert yells in frustration, “That’s it! QUIET!!” This pale, blue-green–and-orange beach scene is now followed by an illustration showing Albert’s friends, wearing reproachful expressions, slinking away down the black-and-white alley. They return, though, with books of their own—and a surprise response to Albert’s abashed apology. Author/illustrator Arsenault does a terrific job directing the story’s pace and ambiance using wordless spot and double-page–spread illustrations interspersed with others containing dialogue bubbles and hand-lettered sound effects. Albert presents white, and his friends are diverse.
This accessible story will validate readers who relish their quiet time as well as their friends. (Picture book. 4-7)Pub Date: June 4, 2019
ISBN: 978-0-553-53656-0
Page Count: 48
Publisher: Random House
Review Posted Online: March 11, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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