Arsenault’s story has the feel of a campfire song, increasingly fun and outrageous until the joyful end and its promise of...
Colette’s family moves to Montreal’s Mile End, and her mother tells her, “For the last time, NO PET,” before shooing her outside to explore the neighborhood.
Colette angrily kicks a box over a fence, goes to retrieve it, and meets some boys who introduce themselves and ask her what she’s doing. After some hesitation, she timidly says that she’s lost her pet, a parakeet, and the boys set out to help her find it, enlisting more help as they go, until the search party consists of five little white boys and girls including Colette, a brown-skinned girl of unspecified ethnicity, an Asian girl, a black boy, and a little black cat. When asked how they might identify the bird, Colette spins a grandiose tale, saying that her parakeet, Marie-Antoinette, is so big that she flies her on adventures to Paris, Japan, the desert, the sea, and the jungle. Her mother calls her in, and Colette turns to go, but the kids are full of questions about her bird, and she promises to tell them more tomorrow. Do they believe her, or is it just great fun to pretend? Arsenault’s illustrations are done in black on white with bursts of bright yellow and occasional washes of pale blue, using pencil, watercolor, and ink in various textures to form a sweet style reminiscent of vintage illustrators Cynthia Amrine and Bill Sokol.
Arsenault’s story has the feel of a campfire song, increasingly fun and outrageous until the joyful end and its promise of new friendships. (Picture book. 3-7)Pub Date: May 23, 2017
ISBN: 978-0-553-53659-1
Page Count: 48
Publisher: Random House
Review Posted Online: March 5, 2017
Kirkus Reviews Issue: March 15, 2017
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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