by Isabelle Simler ; illustrated by Isabelle Simler ‧ RELEASE DATE: Oct. 1, 2018
Visually stunning, and meta, sorta, but ultimately discordant.
Simler (Plume, 2017) presents a seemingly guileless visual inventory of nature’s minutiae, but a spider’s surreptitious, side-by-side activity conveys a more mysterious subtext in this French import.
“In nature there is much to see, if you look closely.” A stylized oceanside scene—trees and flowers in the foreground, boats sailing, gulls flying, a shark swimming—seems idyllic enough. “You may find… / …leaves, / catkins and seeds,” and so much more. Simler invites readers to pore over exquisitely rendered natural elements, including multiple spreads of insects. Each creature, flower, or thorny stem appears against white space on the left, labeled with its common name. Each right-hand page features a close-up of the spider—often glimpsed only in part—interacting with one or more of these objects or critters. She’s making off with a fern frond, an emerald-hued shield bug, an acorn cap, even some pebbles—but why? The puzzle’s solved as Simler reveals “a web, / and a skillful, watchful artist… / …weaving a delicate masterpiece.” Readers see each captured element suspended in the web, carefully arrayed to replicate the seascape introduced at the outset. A thorn’s the shark’s fin; nutshells stuck with feathers are sailboats. The allegorical denouement (the spider’s an “artist” rather than a predatory arachnid) feels manipulative, counteracting the relative verisimilitude with which Simler approaches her natural catalog.
Visually stunning, and meta, sorta, but ultimately discordant. (Picture book. 4-8)Pub Date: Oct. 1, 2018
ISBN: 978-1-4413-2843-4
Page Count: 40
Publisher: Peter Pauper Press
Review Posted Online: July 15, 2018
Kirkus Reviews Issue: Aug. 1, 2018
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by Kimberly Derting & Shelli R. Johannes ; illustrated by Vashti Harrison ‧ RELEASE DATE: June 19, 2018
A good introduction to observation, data, and trying again.
Cece loves asking “why” and “what if.”
Her parents encourage her, as does her science teacher, Ms. Curie (a wink to adult readers). When Cece and her best friend, Isaac, pair up for a science project, they choose zoology, brainstorming questions they might research. They decide to investigate whether dogs eat vegetables, using Cece’s schnauzer, Einstein, and the next day they head to Cece’s lab (inside her treehouse). Wearing white lab coats, the two observe their subject and then offer him different kinds of vegetables, alone and with toppings. Cece is discouraged when Einstein won’t eat them. She complains to her parents, “Maybe I’m not a real scientist after all….Our project was boring.” Just then, Einstein sniffs Cece’s dessert, leading her to try a new way to get Einstein to eat vegetables. Cece learns that “real scientists have fun finding answers too.” Harrison’s clean, bright illustrations add expression and personality to the story. Science report inserts are reminiscent of The Magic Schoolbus books, with less detail. Biracial Cece is a brown, freckled girl with curly hair; her father is white, and her mother has brown skin and long, black hair; Isaac and Ms. Curie both have pale skin and dark hair. While the book doesn’t pack a particularly strong emotional or educational punch, this endearing protagonist earns a place on the children’s STEM shelf.
A good introduction to observation, data, and trying again. (glossary) (Picture book. 5-8)Pub Date: June 19, 2018
ISBN: 978-0-06-249960-8
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: March 26, 2018
Kirkus Reviews Issue: April 15, 2018
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by Kimberly Derting & Shelli R. Johannes ; illustrated by Joelle Murray
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by Andrew Knapp ; illustrated by Andrew Knapp ‧ RELEASE DATE: Feb. 6, 2024
A well-meaning but lackluster tribute.
Readers bid farewell to a beloved canine character.
Momo is—or was—an adorable and very photogenic border collie owned by author Knapp. The many readers who loved him in the previous half-dozen books are in for a shock with this one. “Momo had died” is the stark reality—and there are no photographs of him here. Instead, Momo has been replaced by a flat cartoonish pastiche with strange, staring round white eyes, inserted into some of Knapp’s photography (which remains appealing, insofar as it can be discerned under the mixed media). Previous books contained few or no words. Unfortunately, virtuosity behind a lens does not guarantee mastery of verse. The art here is accompanied by words that sometimes rhyme but never find a workable or predictable rhythm (“We’d fetch and we’d catch, / we’d run and we’d jump. Every day we found new / games to play”). It’s a pity, because the subject—a pet’s death—is an important one to address with children. Of course, Momo isn’t gone; he can still be found “everywhere” in memories. But alas, he can be found here only in the crude depictions of the darling dog so well known from the earlier books.
A well-meaning but lackluster tribute. (Picture book. 4-8)Pub Date: Feb. 6, 2024
ISBN: 9781683693864
Page Count: 32
Publisher: Quirk Books
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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by Andrew Knapp ; photographed by Andrew Knapp
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