A thought-provoking and evocative book that may unfortunately fail to pique the interest of its target audience but may also...
A young girl discovers her world as she grows up.
Little Nanda’s world begins in her mother’s arms when she is a small baby. As she grows, her world expands too. From friends and family to new places and new discoveries, Nanda pushes the limits of her world as much as possible—until one day, she realizes her world is the same as it was when she was a baby in her mother’s arms: “safe, warm, small.” Rich, imaginative text paints a beautiful picture of Nanda’s life and generously weaves in figurative language (“It soared through a symphony of glass and stone. / It spooled through spirals of wire and foam”). It is also refreshing to see Nanda depicted as a strong South Asian girl protagonist who blends in and yet stands out. Unfortunately, some of the text and the broader underlying concept of the book—which takes her through college and beyond to a career as an astronaut—may be hard to grasp for the target preschool audience. Corace’s illustrations, created using gouache, ink, and acrylic, effortlessly show Nanda’s curiosity and the diverse world we all live in today. Attention to detail and authenticity in the illustrations is evident on each page.
A thought-provoking and evocative book that may unfortunately fail to pique the interest of its target audience but may also provide a fresh substitute for Oh, the Places You’ll Go come graduation season. (author’s note) (Picture book. 4-8)Pub Date: July 2, 2019
ISBN: 978-1-4197-3407-6
Page Count: 32
Publisher: Abrams
Review Posted Online: April 9, 2019
Kirkus Reviews Issue: May 1, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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