A slight, slippery, mordant elegy for an emotionally distant mother.
The Albanian novelist/poet and perpetual Nobel candidate considers his complex relationship with his mother.
This brief, brittle autofiction novella by Kadare intimately explores the ways his mother influenced both his personality and art. It’s not exactly a loving tribute: She was a difficult and idiosyncratic woman, well-off where his father’s side of the family was poor, uncomfortable in a home that is “eating me up,” and at odds with her in-laws. Her stiffness, combined with her taste in white makeup, earned her the nickname of the book’s title. But Kadare also sees in her emotional austerity a wellspring of artistic inspiration: “Everything that had harmed the Doll in life became useful to me in my art,” he writes. Among those things was a healthy skepticism, as Kadare’s success as a writer ran up against a Communist regime in Albania that seized his manuscripts. But just as he conquers those issues and his reputation improves, his mother develops peculiar ideas about his work. Does success mean he’ll have to disown her? She inexplicably suggests he marry a “semi-prostitute” and asks if his going to France makes him a Frenchman. His father is disengaged from this peculiar behavior, more interested in news reports Kadare can share from beyond the Iron Curtain. Is this a portrait of mental illness, failed parenting, totalitarian oppression, or something else? Kadare describes these incidents in prose so bare-bones that they almost defy any particular emotional resonance, which makes it hard to get a grip on the story either as “auto” or “fiction.” What lingers is an almost abstract feeling of mournfulness about birth and death, “the darkness from which we all emerge. Or the other one, the darkness to which we are all going.”
A slight, slippery, mordant elegy for an emotionally distant mother.Pub Date: Nov. 17, 2020
ISBN: 978-1-64009-422-2
Page Count: 208
Publisher: Counterpoint
Review Posted Online: Aug. 18, 2020
Kirkus Reviews Issue: Sept. 1, 2020
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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