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DAYTIME VISIONS

AN ALPHABET

A visionary alphabet book that seeks to introduce not only letters, but nuanced narratives to eager, unfettered young minds.

Forget A is for Apple. Here letters appear alongside delightfully ambiguous artwork and phrasing, offering up multitudes of interpretations and variations of story.

Readers know right away this isn’t a traditional ABC book. “THAT’S NOT AN ANSWER” appears on the letter A’s page, with a fierce cat hissing at a bird in flight. Cubist, mildly abstract artwork employs blocks of color, assured linework, and expressive brush strokes to deliver succinct, complex images with astonishing force and embedded meanings. Square pages and lavishly thick paper contribute to this immensely pleasing reading experience as well, nudging readers to run fingers across the beguiling matte illustrations as they revel in deciphering them. Phrases, fragments, exclamations, declarations, and angling adjectives accompany each picture, providing context and catalyzing imaginative analysis. N’s “A NIGHTMARE,” with a lurking animal, partially obscured behind trees, and a worried walker, dressed in red but with a hood looking much like an animal mask, provides ample fodder for decoding—and perhaps for nighttime visions too! Sometimes funny, occasionally eerie, often bizarre, such fantastic images keep readers alert, expectant, and excited.

A visionary alphabet book that seeks to introduce not only letters, but nuanced narratives to eager, unfettered young minds. (Picture book. 3-8)

Pub Date: May 7, 2016

ISBN: 978-1-59270-195-7

Page Count: 56

Publisher: Enchanted Lion Books

Review Posted Online: March 1, 2016

Kirkus Reviews Issue: March 15, 2016

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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THE DAY THE CRAYONS QUIT

A comical, fresh look at crayons and color.

Awards & Accolades

Our Verdict

  • Our Verdict
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  • New York Times Bestseller


  • IndieBound Bestseller

Duncan wants to draw, but instead of crayons, he finds a stack of letters listing the crayons’ demands in this humorous tale.

Red is overworked, laboring even on holidays. Gray is exhausted from coloring expansive spaces (elephants, rhinos and whales). Black wants to be considered a color-in color, and Peach? He’s naked without his wrapper! This anthropomorphized lot amicably requests workplace changes in hand-lettered writing, explaining their work stoppage to a surprised Duncan. Some are tired, others underutilized, while a few want official titles. With a little creativity and a lot of color, Duncan saves the day. Jeffers delivers energetic and playful illustrations, done in pencil, paint and crayon. The drawings are loose and lively, and with few lines, he makes his characters effectively emote. Clever spreads, such as Duncan’s “white cat in the snow” perfectly capture the crayons’ conundrum, and photographic representations of both the letters and coloring pages offer another layer of texture, lending to the tale’s overall believability.

A comical, fresh look at crayons and color. (Picture book. 3-7)

Pub Date: June 27, 2013

ISBN: 978-0-399-25537-3

Page Count: 40

Publisher: Philomel

Review Posted Online: April 14, 2013

Kirkus Reviews Issue: May 1, 2013

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