by Italo Calvino ‧ RELEASE DATE: Nov. 28, 1995
A fascinating, frustrating posthumous collection of short tales (previously unavailable in English) from the great Italian writer (1923-85), assembled and introduced by his widow, Esther Calvino, and vigorously translated by English novelist and Italophile Parks. A series of "Fables and Stories," written between 1943 and 1958, includes such comic dramatizations of intellectual and metaphysical concepts as "Making Do," which ingeniously expresses the difficulties of imposing freedom on a population accustomed to tyranny, and "A General in the Library," in which a military task force investigates the allegation "that books contained opinions hostile to military prestige"—with embarrassing unforeseen results. Here and there, Calvino overexplicitly discloses his stories' morals (it should be remembered that many of this volume's inclusions were left uncompleted at his death). Still, the better pieces won't disappoint Calvino's many admirers. The marvelous title story, for example, reveals to a small boy helping his mother clean office buildings at night the hidden truth about the bogus economic stability of the entire planet. And the unfinished "The Queen's Necklace," a terrific melodrama developed from the fortunes of the story's title object, shimmers with the promise of witty anatomy of the several social levels occupied by its losers and finders. The later "Tales and Dialogues," dating from 1968 to 1984, are comparatively slow-paced and theme-ridden, including pieces written to order for IBM's computer operations department and, of all things, a Japanese distillery. It's make-work stuff, only infrequently showing Calvino in top form. The best selections are "Henry Ford," an unproduced television script in which Calvino simultaneously presents both a stalwart defense of the great industrialist's capitalistic and paternalistic principles and some sly mockery of them, and "Beheading the Heads," a fantasy about periodic executions of elected public officials that offers a classic example of Calvino's ability to transmute concept into hauntingly vivid fiction. A last hurrah from one of the modern masters. Middling Calvino but, for all that, a welcome gift we would not willingly have done without.
Pub Date: Nov. 28, 1995
ISBN: 0-679-44205-7
Page Count: 288
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1995
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by Italo Calvino & translated by Martin McLaughlin
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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