This is a stirring, lived-in novel of struggles both personal and societal.
The moving story of a family in rural Brazil.
This novel begins tightly focused on a family unit and gradually expands its scope to take on broader questions of race and class. Each of its three parts has a different narrator, with sisters Bibiana and Belonísia handling the first two. Bibiana is older by a year, and when the two are 7 and 6, curiosity leads them to taste the blade of a knife—at which point Belonísia winds up losing most of her tongue. From then on, Bibiana describes the sisters as “sharing the same tongue to make the words that revealed what we needed to become.” Eventually, Bibiana gets pregnant and leaves home; not long after, her sister becomes the focus of the narrative. Belonísia’s husband, Tobias, has a penchant for drunken behavior, which ends badly for him. “My mother’s happy marriage, or my sister’s—these seemed the exceptions,” Belonísia notes. Gradually, the challenges faced by the sisters’ family as they work as farmers come more into focus, leaving them at the mercy of the elements: “The drought had just ended, now we’d suffer the ruin of the flood.” The novel’s third section is narrated by a kind of bodiless saint, Santa Rita the Fisherwoman—which in practice amounts to mostly omniscient narration with a few choice asides: “My horse has died, so I cannot go forth mounted as I should, the way an encantada should present herself to human beings, the way she should reveal herself in this world.” The plantation where the sisters work changes hands, and Bibiana ponders taking on a leadership role in the community much like her late husband. Among the laudable feats Vieira Junior accomplishes in this novel is the way it gradually moves from a highly specific story to one with implications for a region's entire working class. In a book that often concerns itself with voices both singular and collective, it's a stirring progression.
This is a stirring, lived-in novel of struggles both personal and societal.Pub Date: June 27, 2023
ISBN: 9781839766404
Page Count: 288
Publisher: Verso
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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