An important, readable novel about Sanger, who changed the fate of millions of women through access to contraception.
Maggie Higgins dreams of escaping the drudgery of the endless household duties that are a poor woman’s lot in Corning, New York, in the late 1800s.
Maggie is challenged by living with many siblings, her consumptive mother, and her freethinking, but somewhat shiftless, father. Inspired by the life of birth control pioneer Margaret Sanger, Mann (Scar, 2016, etc.) has created a sympathetic character in the rebellious Maggie. Most of the book’s chapters move chronologically from the first introduction of 10-year-old Maggie in 1889 through her childhood, schooling, and departure for her new life as a nursing student in 1900. However, several chapters are set in 1899. The two timelines converge as Maggie copes with her mother’s final illness and wrestles with her father’s disapproval of her aspirations. Many of the most dramatic scenes are based in fact, as explained in the author’s note, although more minor scenes and characters are fictional. Maggie’s occasional thoughts (“I’ve almost never known my mother alone in her own body”) make clear the seeds of Sanger’s passion for family planning. The historical note provides additional information about her lifework and notably defends Sanger against the charges of racism that have been leveled against her in recent years. All characters are assumed white.
An important, readable novel about Sanger, who changed the fate of millions of women through access to contraception. (historical note, author’s note, bibliography) (Historical fiction. 11-17)Pub Date: Feb. 12, 2019
ISBN: 978-1-5344-1932-2
Page Count: 240
Publisher: Atheneum
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 15, 2018
PROFILES
Bound to be popular.
A suddenly trendy trope—conflict and romance between members of conquering and enslaved races—enlivened by fantasy elements loosely drawn from Arabic tradition (another trend!).
In an original, well-constructed fantasy world (barring some lazy naming), the Scholars have lived under Martial rule for 500 years, downtrodden and in many cases enslaved. Scholar Laia has spent a lifetime hiding her connection to the Resistance—her parents were its leaders—but when her grandparents are killed and her brother’s captured by Masks, the eerie, silver-faced elite soldiers of the Martial Empire, Laia must go undercover as a slave to the terrifying Commandant of Blackcliff Military Academy, where Martials are trained for battle. Meanwhile, Elias, the Commandant’s not-at-all-beloved son, wants to run away from Blackcliff, until he is named an Aspirant for the throne by the mysterious red-eyed Augurs. Predictably, action, intrigue, bloodshed and some pounding pulses follow; there’s betrayal and a potential love triangle or two as well. Sometimes-lackluster prose and a slight overreliance on certain kinds of sexual violence as a threat only slightly diminish the appeal created by familiar (but not predictable) characters and a truly engaging if not fully fleshed-out fantasy world.
Bound to be popular. (Fantasy. 13 & up)Pub Date: April 28, 2015
ISBN: 978-1-59514-803-2
Page Count: 464
Publisher: Razorbill/Penguin
Review Posted Online: Jan. 9, 2015
Kirkus Reviews Issue: Jan. 15, 2015
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.
A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.
Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.
Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)Pub Date: Jan. 8, 2019
ISBN: 978-0-06-282411-0
Page Count: 384
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
BOOK REVIEW
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