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THE ENGAGEMENTS

A modern update of The Spoils of Poynton elegant, assured, often moving and with a gentle moral lesson to boot.

Is a diamond really forever? So Sullivan (Maine, 2011, etc.) asks in her third novel, which explores the familiar territory of people who can’t quite find the old connections but keep looking for them all the same.

Frances Gerety, a real person whom Sullivan enlists at the outset of her tale, had a daunting task way back in 1947: She had to cook up an advertising tagline for De Beers that would convince Americans to purchase diamond engagement rings, hitherto “considered just absolutely money down the drain.” Sullivan’s story takes off from there, diamonds forming a leitmotif in ingeniously connected stories that span generations. As B. Traven advised in his grand tale of gold, precious objects can cause people to do very bad things; so they do here, enacted by a principal character who, though a bit of a sad sack, does what he can to resist temptation until it overwhelms him. That character speaks to the most modern emanation of maleness: He's been laid off, his wife earning more than he when he does work, regretful because he “had failed to live up to his potential.” But then, in Sullivan’s depiction of the world, every character harbors regrets over roads not taken. Some are stronger than others, and many are devoted to things more than people: One watches Fox News and says hateful things about President Barack Obama in order to be more like her well-to-do husband, adopting his politics “along with his interest in skiing and his love of the Miami Dolphins”; another hints at wanting more children just to be more like the trendy couples on the Upper East Side, as if to say: “We can afford to raise this many children at once in the most expensive city on earth.” Does money ever buy any of them happiness? Not really, but it does score a few carats.

A modern update of The Spoils of Poynton elegant, assured, often moving and with a gentle moral lesson to boot.

Pub Date: June 11, 2013

ISBN: 978-0-307-95871-6

Page Count: 400

Publisher: Knopf

Review Posted Online: May 12, 2013

Kirkus Reviews Issue: June 1, 2013

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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