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EVERYTHING IS A POEM

THE BEST OF J. PATRICK LEWIS

For beginning readers on up, the points of attachment are many in this hefty volume of mostly light verse. (Poetry. 6-12)

An engaging collection of greatest hits by the former U.S. Children’s Poet Laureate.

In the foreword to his latest collection, the award-winning author of 85 picture books and former economics professor admits he discovered poetry only after turning 40 and prides himself on not having a distinctive poetic style or voice. For Lewis, “the poem is always more important than the poet,” and the varied subjects of these 60-odd poems underscore the sincerity of his belief. Here, with Italian illustrator Pritelli’s arrestingly evocative airbrushed acrylic spreads, Lewis offers light glimpses into the realms of animals, places, people, nature and reading, as well as a delightful mix of riddles and epitaphs. Taking his cue from the likes of Carroll and Lear, Lewis thrills in nonsense, imploring readers, “Please bury me in the library / with a dozen long-stemmed proses,” or neatly summing up on a baseball-glove–shaped tombstone the truncated life of a pitcher: “No runs, / no hits, / no heirs.” In more serious moments, Lewis employs his masterful descriptive abilities to capture natural phenomena such as fireflies—“The speckled air / Of summer stars / Alive in jars”—while repeatedly making use of his exquisite ear.

For beginning readers on up, the points of attachment are many in this hefty volume of mostly light verse. (Poetry. 6-12)

Pub Date: Aug. 19, 2014

ISBN: 978-1-56846-240-0

Page Count: 88

Publisher: Creative Editions/Creative Company

Review Posted Online: June 24, 2014

Kirkus Reviews Issue: July 15, 2014

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COUNTING IN DOG YEARS AND OTHER SASSY MATH POEMS

Readers can count on plenty of chuckles along with a mild challenge or two.

Rollicking verses on “numerous” topics.

Returning to the theme of her Mathematickles! (2003), illustrated by Steven Salerno, Franco gathers mostly new ruminations with references to numbers or arithmetical operations. “Do numerals get out of sorts? / Do fractions get along? / Do equal signs complain and gripe / when kids get problems wrong?” Along with universal complaints, such as why 16 dirty socks go into a washing machine but only 12 clean ones come out or why there are “three months of summer / but nine months of school!" (“It must have been grown-ups / who made up / that rule!”), the poet offers a series of numerical palindromes, a phone number guessing game, a two-voice poem for performative sorts, and, to round off the set, a cozy catalog of countable routines: “It’s knowing when night falls / and darkens my bedroom, / my pup sleeps just two feet from me. / That watching the stars flicker / in the velvety sky / is my glimpse of infinity!” Tey takes each entry and runs with it, adding comically surreal scenes of appropriately frantic or settled mood, generally featuring a diverse group of children joined by grotesques that look like refugees from Hieronymous Bosch paintings. (This book was reviewed digitally.)

Readers can count on plenty of chuckles along with a mild challenge or two. (Poetry/mathematical picture book. 8-11)

Pub Date: Oct. 11, 2022

ISBN: 978-1-5362-0116-1

Page Count: 40

Publisher: Candlewick

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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Awards & Accolades

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THE UNDEFEATED

An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and...

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019


  • Kirkus Prize
  • Kirkus Prize
    finalist


  • New York Times Bestseller


  • IndieBound Bestseller

Past and present are quilted together in this innovative overview of black Americans’ triumphs and challenges in the United States.

Alexander’s poetry possesses a straightforward, sophisticated, steady rhythm that, paired with Nelson’s detail-oriented oil paintings, carries readers through generations chronicling “the unforgettable,” “the undeniable,” “the unflappable,” and “the righteous marching ones,” alongside “the unspeakable” events that shape the history of black Americans. The illustrator layers images of black creators, martyrs, athletes, and neighbors onto blank white pages, patterns pages with the bodies of slaves stolen and traded, and extends a memorial to victims of police brutality like Sandra Bland and Michael Brown past the very edges of a double-page spread. Each movement of Alexander’s poem is a tribute to the ingenuity and resilience of black people in the U.S., with textual references to the writings of Gwendolyn Brooks, Martin Luther King Jr., Langston Hughes, and Malcolm X dotting stanzas in explicit recognition and grateful admiration. The book ends with a glossary of the figures acknowledged in the book and an afterword by the author that imprints the refrain “Black. Lives. Matter” into the collective soul of readers, encouraging them, like the cranes present throughout the book, to “keep rising.”

An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and our tomorrow. (Picture book/poetry. 6-12)

Pub Date: April 2, 2019

ISBN: 978-1-328-78096-6

Page Count: 40

Publisher: Versify/HMH

Review Posted Online: Jan. 14, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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