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TAKE TWO!

A CELEBRATION OF TWINS

T-winsome.

Veteran poets tap into the never-ending interest in twins with a collection of poetry dedicated to twosomes.

Children’s poet laureate Lewis, a twin himself, and prolific children’s poet Yolen, the grandmother of twins, present 44 poems about twins. Readers will have to guess each poem’s originator, however, as none of the poems are signed. Divided into four sections comprising “Twins in the Waiting Womb,” “Twinfants,” “How to Be One” (about childhood with a twin) and “Famous Twins,” the poems explore milestones as twins, the push and pull of twin relationships and the need for individuality. Although some of the poems just reach mediocre, others are positively endearing (“Good night, / Good night. / The single moon / Shines down. / And soon / One sleep / You’ll share”). Readers will enjoy dipping into the book and savoring a few poems at a time rather than reading the book in its entirety, as taken altogether, the prevailing rhythmic rhyme can become monotonous. Intermittent twin facts run along the bottom, while Blackall, illustrator of another popular pair, Ivy + Bean, enhances the collection with a variety of twin sets in her signature patterned illustrations, rendered in watercolor, pencil and painted paper collage. Children may muse at the twin depictions, but the real consumers will be the proud caregivers of twins.

T-winsome. (Poetry. 4-8)

Pub Date: March 1, 2012

ISBN: 978-0-7636-3702-6

Page Count: 72

Publisher: Candlewick

Review Posted Online: Feb. 4, 2012

Kirkus Reviews Issue: Feb. 15, 2012

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A THOUSAND YEARS

A sweet notion that falls flat.

A hit song reimagined as a book about parental love.

Featured in The Twilight Saga: Breaking Dawn—Part 1, Perri’s “A Thousand Years” deals with the speaker’s fear of romantic love. In picture-book form, it explores a parent’s unwavering love for a child, who grows from an infant into a toddler over the course of the narrative. The caregiver expresses awe when the youngster learns to stand and fear that the child might fall while beginning to walk. “I have spent every day waiting for you,” the parent says. “Darling, don’t be afraid.” What the child might fear isn’t clear from the joyful balloon- and rainbow-filled illustrations. The story borders on cloying, and words that might work when sung and accompanied by music don’t sound fresh on the page: “Time goes by. / You grow ever stronger as you fly.” The refrain, however, is a lovely sentiment: “I have loved you for a thousand years. / I’ll love you for a thousand more.” Perri’s legion of fans may flock to this version, illustrated by Ruiz with sparkling stars, bubbles, and big-eyed toddlers, but it doesn’t hold together as a narrative or an ode, as it’s billed, and it’s a long way from the original song. The child is tan-skinned, the parent is lighter-skinned, and other characters are diverse.

A sweet notion that falls flat. (Picture book. 4-7)

Pub Date: April 1, 2025

ISBN: 9780593622599

Page Count: 32

Publisher: Viking

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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