Clever wordplay and a marvelous island bestiary distinguish this rhymed wonder quest from Lewis (Black Swan/White Crow, 1995, etc.). Mouse suggests to Honeypot Bear that they set sail for the magical Island of Oh, ``to hear the applause of the Red Lobster claws/For the beautiful La-di-da Hare.'' Honeypot Bear obliges by becoming their boat, Mouse navigates (``Honey! Bear right!'') and takes the honorary title of Commodore, and when they reach Oh, La-di-da Hare welcomes them lavishly: She decks them out in Bermuda shorts, Hawaiian shirts, and cool designer shades, then rustles up some deli sandwiches for the whole island crowd. The Crocodile accepts a pastrami on rye, Oyster and Blue-clawed Crab tuck into deviled eggs and dill pickles, ``And who prefers a pat of peanut/Butter on a bun?/The Owls sat think-blinking that/Might do. `Yoo-whoo!' said one.'' La-di-da Hare convinces the two to remain forever, ``For animal crackers,/And wheels of bleu cheese- -/And a bungalow, boys,/For as long as you please!'' They are persuaded, and remain there to this day. It's a good subversive touch—let's have none of that home-in-time-for-tea stuff. Bluthenthal's animated illustrations are an excellent complement, in beachcombing colors of sand and surf, convincing in the depiction of a place awash in fresh, salt breezes. (Picture book. 6-9)
Pub Date: April 1, 1997
ISBN: 0-689-31925-8
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
Gooney Bird Greene (with a silent E) is not your average second grader. She arrives in Mrs. Pidgeon’s class announcing: “I’m your new student and I just moved here from China. I want a desk right smack in the middle of the room, because I like to be right smack in the middle of everything.” Everything about her is unusual and mysterious—her clothes, hairstyles, even her lunches. Since the second graders have never met anyone like Gooney Bird, they want to hear more about her. Mrs. Pidgeon has been talking to the class about what makes a good story, so it stands to reason that Gooney will get her chance. She tells a series of stories that explain her name, how she came from China on a flying carpet, how she got diamond earrings at the prince’s palace, and why she was late for school (because she was directing a symphony orchestra). And her stories are “absolutely true.” Actually, they are explainable and mesh precisely with the teacher’s lesson, more important, they are a clever device that exemplify the elements of good storytelling and writing and also demonstrate how everyone can turn everyday events into stories. Savvy teachers should take note and add this to their shelf of “how a story is made” titles. Gooney Bird’s stories are printed in larger type than the narrative and the black-and-white drawings add the right touch of sauciness (only the cover is in color). A hybrid of Harriet, Blossom, and Anastasia, irrepressible Gooney Bird is that rare bird in children’s fiction: one that instantly becomes an amusing and popular favorite. (Fiction. 6-9)
Pub Date: Sept. 1, 2002
ISBN: 0-618-23848-4
Page Count: 96
Publisher: Walter Lorraine/Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2002
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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