Clever wordplay and a marvelous island bestiary distinguish this rhymed wonder quest from Lewis (Black Swan/White Crow, 1995, etc.). Mouse suggests to Honeypot Bear that they set sail for the magical Island of Oh, ``to hear the applause of the Red Lobster claws/For the beautiful La-di-da Hare.'' Honeypot Bear obliges by becoming their boat, Mouse navigates (``Honey! Bear right!'') and takes the honorary title of Commodore, and when they reach Oh, La-di-da Hare welcomes them lavishly: She decks them out in Bermuda shorts, Hawaiian shirts, and cool designer shades, then rustles up some deli sandwiches for the whole island crowd. The Crocodile accepts a pastrami on rye, Oyster and Blue-clawed Crab tuck into deviled eggs and dill pickles, ``And who prefers a pat of peanut/Butter on a bun?/The Owls sat think-blinking that/Might do. `Yoo-whoo!' said one.'' La-di-da Hare convinces the two to remain forever, ``For animal crackers,/And wheels of bleu cheese- -/And a bungalow, boys,/For as long as you please!'' They are persuaded, and remain there to this day. It's a good subversive touch—let's have none of that home-in-time-for-tea stuff. Bluthenthal's animated illustrations are an excellent complement, in beachcombing colors of sand and surf, convincing in the depiction of a place awash in fresh, salt breezes. (Picture book. 6-9)
Pub Date: April 1, 1997
ISBN: 0-689-31925-8
Page Count: 40
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)
Pub Date: June 1, 2000
ISBN: 0-7636-0792-4
Page Count: 32
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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