An absolutely delightful read, perfect for a summer day with a good beer and a piece of pie.
A family inheritance tears two Minnesota sisters apart—but years later, they might get a chance to reunite.
Edith Magnusson never expected to be famous for anything, let alone her pies. But the pies she makes at her humble nursing-home job put the place on the map, and soon people are traveling from all over to try a slice. At 64 years old, it seems she’s starting a new life...but Edith doesn’t know what’s in store for her future. Although she remains a talented baker, the years to come leave her widowed, underemployed, and taking care of her teenage granddaughter, Diana. The two of them manage to barely scrape by, but Edith often wonders how her life would have been different if she’d received her portion of the inheritance from her family’s farm after her father died. Instead, Edith’s younger sister, Helen, convinced their father to give her the entire inheritance so she could build a successful brewery with her husband. Helen made good on her promise, turning Blotz beer into one of the country’s most prominent brands, but it comes at a cost. Edith stops speaking to Helen, and Helen doesn’t reach out to fix the rift. Many years later, by coincidence, Diana ends up working in a brewery. She shows both an interest and skill in making beer, and soon she’s a rising star in the world of brewing. As Diana’s career takes off, she needs all the help from her family she can get—which just might mean a chance for Edith and Helen to reconnect. Stradal’s (Kitchens of the Great Midwest, 2015) writing is sharp and funny while still managing to treat each character with warmth and respect. His women are complicated and interesting people who find fulfillment in hard work—and, perhaps most refreshingly, he never mocks the career hopes of older women. Although the characters' lives are full of loss—Edith of her husband, Diana of her parents, all of them of various unfulfilled dreams—the story doesn’t wallow in grief or indulge in despair. Instead, this is an ultimately hopeful and heartwarming story that never feels sentimental or trite. Readers will love watching these truly original characters overcome their challenges and take care of each other.
An absolutely delightful read, perfect for a summer day with a good beer and a piece of pie.Pub Date: July 23, 2019
ISBN: 978-0-399-56305-8
Page Count: 368
Publisher: Pamela Dorman/Viking
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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