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MAKE YOUR MARK

THE EMPOWERING TRUE STORY OF THE FIRST KNOWN BLACK FEMALE TATTOO ARTIST

Informative and inspirational.

A tattoo artist reflects on her personal journey and her adopted community.

Staking out a claim to be “America’s very first female African American tattoo artist,” Gresham starts off her tale by spotlighting the peace symbol she drew on her arm in black marker as a child inspired by watching Civil Rights protests on TV. She covers her later move to New Orleans, where she opened a tattoo studio and became a welcoming neighborhood presence both before and after Hurricane Katrina. Retracing her artistic development, from her rejection of an elementary school art teacher’s instruction to “stay in the lines” to her determined quests for just the right inks, colors, and designs for dark skin, she provides plenty of generally applicable advice: “Stray outside the lines.” “Follow your heart.” “Do what scares you.” “There will be storms, but never give up!” Wilkerson goes more for evocative glimpses than exact reproductions of Gresham’s work (the backmatter includes one close-up photo), offering instead views of her hunched over drawings and drawing boards, at work in her shop, arguing with an early business partner when he announces that tattooing women is “distasteful,” and, after remarking on the “vibrancy, rhythm, and style” of her community, waving from her door to customers and passersby broadly diverse of age, skin color, and body type. “This is how I make my mark,” she concludes. “How will you make yours?”

Informative and inspirational. (Picture-book memoir. 6-9)

Pub Date: Jan. 14, 2025

ISBN: 9780593618363

Page Count: 32

Publisher: Dial Books

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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I AM RUBY BRIDGES

A unique angle on a watershed moment in the civil rights era.

The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.

Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)

A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-75388-2

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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