by Jack Weatherford ‧ RELEASE DATE: Jan. 5, 1994
A gallimaufry of cultural arcana from indefatigable anthropologist Weatherford (Native Roots, 1991; Indian Givers, 1988). In an attempt to demonstrate the value and influence of tribal cultures, Weatherford tells the story of a number of their societies, past and present. Don't trash today's remnants, he warns: They may well save ``civilization'' when comes the crunch we seem inevitably headed toward. Precivilized cultures (read: ``preagricultural nation states'') will hold the keys to survival- -such as food-gathering, shelter-building, and much more—when all the trappings of modernity are done and gone. Weatherford is never happier than when pulling oddments out of his scholarly hat: curious facts about camel penises; the madness induced by Tasmania's model prisons; curious facts about seal penises; the eating of Egyptian mummies at 17th-century European courts; curious facts about aboriginal penises. He's particularly fascinated by the intellectual life of places—the library of Alexandria; the rise of printing; the Sumerian alphabet; interpretations of the dreamtime- -and he's quick to point a finger at colonials for their ugly leveling tendencies; at missionaries for their destructive narrowness; at humanity's general inhumanity. Weatherford jumps around so much that it's sometimes difficult to follow his steps or decipher just what point he's trying to make, but he writes with such polish it seems presumptuous to take exception to some of his conclusions. Is it really true, though, that ``all the evidence'' points to early humans as primarily meat-eaters? Not every anthropologist would agree. The common thread binding these chapters may be tenuous, but Weatherford is a hugely entertaining, well-traveled writer—one who makes a strong case for a hands-off, learn-from-them approach toward these last ancient ways of life.
Pub Date: Jan. 5, 1994
ISBN: 0-517-58860-9
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1993
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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