“Dorothy and Herbert lived for ART.”
When the term art collector is used, a librarian and a postal worker don’t usually come to mind. But Dorothy and Herbert Vogel, formerly painting students themselves, were bitten by the art bug. Beginning in the 1960s, they lived frugally, saved their money, and “if Dorothy and Herbert liked the art, could carry it in a cab or subway…move it up the elevator, and fit it into their tiny Upper East Side apartment, they bought it,” filling their small apartment from floor to ceiling with exciting pieces. Lyrical, energetic text and memorable, innovative illustrations (including a particularly dramatic double gatefold) capture the Vogels’ love of art and the artists of New York’s SoHo community, show how Dorothy and Herbert became mentors and hosts, and include interesting details. There is no list of the art and artists depicted, though the illustrator’s website contains a key and includes web-based resources, many on Wikipedia. While the text is sometimes a bit vague (it explains that they decided to “share [their collection] with the world” without explicitly stating that instead of selling or showing it, they donated it), overall, this is a warm and thoughtful depiction of the two collectors as well as an engaging introduction to the world of modern art. The title characters are White; street scenes reflect New York City’s racial diversity.
An imperfect but worthwhile portrait of two unique collectors of modern art and the artists who surrounded them.
(author’s note, illustrator’s note, glossary, sources) (Picture book/biography. 5-8)