Readers and their parents will appreciate how Lulu works through her dilemma on her own. Not only is this an entertaining...
Ladybug Girl Lulu is sure what she’ll wear for Halloween until a comment from her brother makes her question her decision.
Once her brother has planted the seed of doubt, Lulu’s usual confidence is shaken. Should she change her mind and try something different from Ladybug Girl? With trusty dog Bingo at her side, Lulu gets to work. Conversational text and deftly created illustrations in ink and watercolor convey Lulu’s determination to find the right costume. As a robot she cannot fit through the door, and as a silent-movie star she will not be able to ask for candy. No one seems to appreciate her hybrid vampire/panda get-up. Lulu still is undecided as her family leaves to go apple picking. She imagines several other dress-up possibilities, but none seems right. A chance encounter with a younger girl who is lost in a corn maze spurs Lulu into action as Ladybug Girl. Whipping off her coat to reveal her costume, Lulu (with some help from Bingo) soon spots a popcorn trail Maya has unwittingly left behind. The three follow it. Soon, Maya and her mother are reunited, and it is clear what costume Lulu will choose. Was there any real doubt?
Readers and their parents will appreciate how Lulu works through her dilemma on her own. Not only is this an entertaining story, but it’s also a good conversation starter about being true to oneself. (Picture book. 4-7)Pub Date: Aug. 19, 2014
ISBN: 978-0-8037-3584-2
Page Count: 40
Publisher: Dial Books
Review Posted Online: July 15, 2014
Kirkus Reviews Issue: Aug. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
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