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OLIVE & PEKOE IN FOUR SHORT WALKS

A delight.

Olive and Pekoe are very different dogs, but they are the best of friends.

The friendship between Olive, an old, small dog, and Pekoe, a lively, large puppy, is presented in four vignettes of the walks the two dogs take together. Illustrator Potter’s impressively expressive naïve-style watercolor, ink, and colored-pencil illustrations perfectly nuance author Davis’ witty text. In “Walk One,” Olive and Pekoe explore the woods, where “Pekoe adores playing with sticks” while “Olive prefers resting in the mud and grass.” The friendship theme is humorously underscored when Pekoe brings Olive a “good stick,” which Olive “just looks at…but she appreciates the gesture.” “Walk Two” finds the duo unhappily caught in a thunderstorm—and here, Potter’s illustrations relay atmosphere and dog expression with striking sophistication given their inherent simplicity. “Walk Three” features chipmunks, and “Walk Four,” a canine bully. Each story contrasts, with a light, dryly humorous touch, the behavior of the elder, experienced Olive and the younger, enthusiastic Pekoe; and in each the theme of friendship is presented in a fresh, nonsaccharine way. Davis uses large words to convey the feelings of Olive (“Olive isn’t overly concerned about the chipmunk’s whereabouts”), but it fits the droll tone. The layout is consistent, presenting a full-page illustration opposite a page of text from spread to spread—until the final page, where the words and illustration are presented together; this clever design visually and textually summarizes the story’s theme of friendship’s togetherness.

A delight. (Picture book. 3-7)

Pub Date: March 5, 2019

ISBN: 978-0-06-257310-0

Page Count: 40

Publisher: Greenwillow Books

Review Posted Online: Nov. 20, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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