bookshelf

WHY ARE YOU SO QUIET?

Name: WHY ARE YOU SO QUIET?
Author: Jaclyn Desforges
ISBN: 978-1-77321-434-4

by Jaclyn Desforges ; illustrated by Risa Hugo ‧ RELEASE DATE: Sept. 8, 2020

Well-meaning but misses the mark.

bookshelf

Is it better to listen than to be noisy?

Quiet Myra Louise thinks so. Soft-voiced, she enjoys silence and is rewarded by attending closely to sounds. Her silent nature leads Mom, classmate Jeremy, and her teacher each to ask the titular question. Others’ frustration heightens Louise’s own: She can’t answer. But she has an idea: Gathering various items and poring over books, Myra Louise builds a listening machine complete with earpiece and becomes a better listener. Adding another earpiece to the contraption enhances other people’s aural experiences, too: Mom hears the enchanting sound of the story she reads aloud—then reads extra chapters. At school, Myra Louise invites Jeremy to listen to a ladybug. The tale conveys a positive message about the joys of quietude and listening but is unconvincing. A mechanical contrivance comprised of found bits isn’t required for mindful attention: Isn’t a careful listener one’s own “listening machine”? How does the machine actually work anyway? The story also never indicates that others become so taken with Myra Louise’s ideas they permanently adopt her method of engaging with the world, and Jeremy’s joining in on the machine ends the proceedings abruptly. The illustrations are serviceable but colorful and present freckled, wide-eyed, brown-haired Myra Louise and her mother as white; some classmates are racially diverse.

Well-meaning but misses the mark. (Picture book. 4-7)

Pub Date: Sept. 8, 2020

ISBN: 978-1-77321-434-4

Page Count: 32

Publisher: Annick Press

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

Categories:

CHILDREN'S SOCIAL THEMES

bookshelf

ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

bookshelf

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

bookshelf

IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024

Too cute to be spooky indeed but most certainly sweet.

bookshelf

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)