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GRAVITY IS THE THING

Quirky and beguiling, this witty quest for the truth will delight anyone mending their own broken life.

At 15, Abigail Sorensen lost her brother, Robert, and someone started mailing her chapters of a curious book called The Guidebook. But what is it guiding her toward?

Twenty years later, now a single mother in Sydney, she is about to find out. Abigail, along with 25 other recipients of The Guidebook, has been invited on an all-expenses-paid vacation to Taylor Island, off the southeast coast of Australia. Their host, Wilbur, son of The Guidebook’s authors, promises to tell them (well, most of them) the truth. But the truth behind The Guidebook is more complex than any of them expected, and although Abigail leaves the resort disappointed, she soon finds that the path has only just begun. At times, Moriarty (The Slightly Alarming Tale of the Whispering Wars, 2018, etc.) tells Abigail’s story through short, impressionistic snippets, entwining first- and second-person perspectives that pull the reader into her life, as if we, too, were reading a new version of The Guidebook. Abigail’s view of the world is filtered through her wry sense of humor, giving Moriarty’s prose (well-honed through years as an award-winning YA writer) a style reminiscent of a Wes Anderson film, so even the most tragic events still carry a tinge of the absurd. Indeed, in Moriarty’s hands, the self-help genre gets a few jabs—when Abigail reads The Celestine Prophesy, for example, she looks for messages the next day only to have her 4-year-old son bring her lots of Cheerios and a co-worker remark that her dress doesn’t complement her skin tone. And The Guidebook itself is riddled with ridiculous observations and calls for silly experiments. Yet Abigail does receive messages, or at least experiences many more serendipitous events than your average person. But will the planets align to bring her love or danger? And how might The Guidebook help her solve the mystery of her brother’s disappearance?

Quirky and beguiling, this witty quest for the truth will delight anyone mending their own broken life.

Pub Date: July 23, 2019

ISBN: 978-0-06-288373-5

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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