Quirky and beguiling, this witty quest for the truth will delight anyone mending their own broken life.
At 15, Abigail Sorensen lost her brother, Robert, and someone started mailing her chapters of a curious book called The Guidebook. But what is it guiding her toward?
Twenty years later, now a single mother in Sydney, she is about to find out. Abigail, along with 25 other recipients of The Guidebook, has been invited on an all-expenses-paid vacation to Taylor Island, off the southeast coast of Australia. Their host, Wilbur, son of The Guidebook’s authors, promises to tell them (well, most of them) the truth. But the truth behind The Guidebook is more complex than any of them expected, and although Abigail leaves the resort disappointed, she soon finds that the path has only just begun. At times, Moriarty (The Slightly Alarming Tale of the Whispering Wars, 2018, etc.) tells Abigail’s story through short, impressionistic snippets, entwining first- and second-person perspectives that pull the reader into her life, as if we, too, were reading a new version of The Guidebook. Abigail’s view of the world is filtered through her wry sense of humor, giving Moriarty’s prose (well-honed through years as an award-winning YA writer) a style reminiscent of a Wes Anderson film, so even the most tragic events still carry a tinge of the absurd. Indeed, in Moriarty’s hands, the self-help genre gets a few jabs—when Abigail reads The Celestine Prophesy, for example, she looks for messages the next day only to have her 4-year-old son bring her lots of Cheerios and a co-worker remark that her dress doesn’t complement her skin tone. And The Guidebook itself is riddled with ridiculous observations and calls for silly experiments. Yet Abigail does receive messages, or at least experiences many more serendipitous events than your average person. But will the planets align to bring her love or danger? And how might The Guidebook help her solve the mystery of her brother’s disappearance?
Quirky and beguiling, this witty quest for the truth will delight anyone mending their own broken life.Pub Date: July 23, 2019
ISBN: 978-0-06-288373-5
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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