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CHEF ROY CHOI AND THE STREET FOOD REMIX

From the Food Heroes series

A vibrant, life-affirming tribute to a chef and his city.

The third installment in the Food Heroes series presents Roy Choi and the Los Angeles street-food scene.

Breezy text and lively illustrations invite young readers and cooks into the world of the food revolution happening across the country. Locally sourced fresh produce and good cooking are what chef Roy Choi is all about. A formally trained chef who has worked in fancy restaurants, he decided to be a “street cook” serving “outsiders, low-riders, kids, teens, shufflers, and skateboarders.” Drawing on his South Korean roots and the many cultures of Los Angeles (where he was raised), Choi cooks the way his mother did, “the Korean way—by hand—briny and tangy kimchi, spicy bibimbap, scallion pancakes studded with oysters.” Early on, when Roy’s Kogi BBQ Truck made its rounds with its Mexican-Korean fusion, people said, “Korean guys can’t do tacos”—but Kogi tacos made Roy famous, and the double-page spread of an LA map with pinpointed locations of the trucks testifies to that. Though bordering on in-your-face at times, Man One’s graffiti-art style is the perfect complement to Choi’s cooking and the lively LA street scene. Readers who get hooked will want to read Choi’s L.A. Son: My Life, My City, My Food (2013).

A vibrant, life-affirming tribute to a chef and his city. (authors’ notes, illustrator’s note, bibliography, resources, biographies) (Picture book/biography. 5-10)

Pub Date: May 16, 2017

ISBN: 978-0-9836615-9-7

Page Count: 32

Publisher: Readers to Eaters

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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I AM RUBY BRIDGES

A unique angle on a watershed moment in the civil rights era.

The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.

Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)

A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)

Pub Date: Sept. 6, 2022

ISBN: 978-1-338-75388-2

Page Count: 48

Publisher: Orchard/Scholastic

Review Posted Online: June 21, 2022

Kirkus Reviews Issue: July 15, 2022

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BASKETBALL DREAMS

Blandly inspirational fare made to evoke equally shrink-wrapped responses.

An NBA star pays tribute to the influence of his grandfather.

In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)

Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)

Pub Date: Jan. 10, 2023

ISBN: 978-1-250-81003-8

Page Count: 32

Publisher: Roaring Brook Press

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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