More than a distinctive introduction to Albert Einstein, this book promotes both understanding of difference and scientific...
The fact that Albert Einstein uttered his first words later in life than most children inspired this quirky, endearing tribute to the famous scientist and humanitarian.
“Albie, as everyone called Albert, liked to do all the things other children did.” This sentence floats in white space above an intriguing piece of artwork, nicely framed within an oval shape: In muted tones of amber, a boy clad in 19th-century clothes is leaping over black-and-white tiles and then over a threshold into a just-barely-seen, brighter room. The artwork’s subliminal message compels readers to turn the page. Thereafter, the text intersperses its tale of a mute little boy with nuggets of historical and cultural reality describing the lives of the German upper middle class in the late 1800s. There are even some German words. The simple story is told with heart, suspense and gentle humor. The complementary artwork features appropriately detailed backgrounds and beautiful chiaroscuro juxtaposed with an Albie whose body exhibits exaggerated toddler proportions and whose face looks modeled in clay. Readers of all ages will enjoy the wise and witty climax, and older readers will appreciate the endpapers—reproduced from Einstein’s “Zürich Notebook”—and the thoughtful author’s note.
More than a distinctive introduction to Albert Einstein, this book promotes both understanding of difference and scientific curiosity. (glossary, photograph) (Picture book/biography. 4-8)Pub Date: Oct. 28, 2014
ISBN: 978-0-307-97893-6
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Aug. 26, 2014
Kirkus Reviews Issue: Sept. 15, 2014
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
A life devoted to freedom and dignity, worthy of praise and remembrance.
With the words of Massachusetts colonial rebels ringing in her ears, a slave determines to win her freedom.
In 1780, Mumbet heard the words of the new Massachusetts constitution, including its declaration of freedom and equality. With the help of a young lawyer, she went to court and the following year, won her freedom, becoming Elizabeth Freeman. Slavery was declared illegal and subsequently outlawed in the state. Woelfle writes with fervor as she describes Mumbet’s life in the household of John Ashley, a rich landowner and businessman who hosted protest meetings against British taxation. His wife was abrasive and abusive, striking out with a coal shovel at a young girl, possibly Mumbet’s daughter. Mumbet deflected the blow and regarded the wound as “her badge of bravery.” Ironically, the lawyer who took her case, Theodore Sedgwick, had attended John Ashley’s meetings. Delinois’ full-bleed paintings are heroic in scale, richly textured and vibrant. Typography becomes part of the page design as the font increases when the text mentions freedom. Another slave in the Ashley household was named in the court case, but Woelfle, keeping her young audience in mind, keeps it simple, wisely focusing on Mumbet.
A life devoted to freedom and dignity, worthy of praise and remembrance. (author’s note, selected bibliography, further reading) (Picture book/biography. 5-8)Pub Date: Feb. 1, 2014
ISBN: 978-0-7613-6589-1
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Oct. 8, 2013
Kirkus Reviews Issue: Nov. 1, 2013
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